Meet Huck 79’s artist-in-residence
- Text by Josh Jones
- Photography by Mel D. Cole
- Illustrations by Liam Johnstone
A version of this story appears in Issue 79 of Huck. Get your copy now, or subscribe to make sure you never miss another issue.
Raised in Syracuse, NY, but firmly based in New York City, Mel D. Cole is a self-taught, award-winning photographer. He specialises in music, sports, nightlife, travel, street documentary, brand, and most recently, photojournalism. He has documented some of America’s most volatile protests, marches and riots, and positioned himself right in the thick of things on January 6th, capturing the raw emotion as the infamous events unfolded. With a career spanning more than two decades, he’s renowned as one of the world’s most accomplished and celebrated photographers. Mel is Huck 79’s artist-in-residence.
How did you get into photography and which photographers influenced you when you were starting?
I got into photography via music, specifically hip-hop. I would also say that my grandmother influenced me, something I did not fully realise until her recent death. What I have learned over the years is it’s perfectly okay NOT to have gained influence from those who do the same as you. Influences come from all over and it is up to you to decide how to process them.
Do you have different personalities for when you’re shooting different things. i.e. does a different Mel mindset turn up to shoot celebrities, compared to protests?
Good question, I have never been asked this before. The answer is yes — when shooting celebs during a photo shoot I get to show a side of me that exudes confidence but at the same time I have to allow the subject to fill the space with their ego and not so much of my own. When photographing protests, my agenda is to blend in, keep my head on a swivel and capture things as they happen vs making them happen.
How much did needing to document January 6th as an artist fight with the natural urge to just get out of there? How did you deal with the adrenalin?
I never thought that I needed to document it because I didn’t know it was going to happen. But once it did happen and I was in the middle of it all, I never really thought about leaving until it got dark and then I started to worry more than I was worrying before.
You see a lot of polarising points of view when you’re shooting on the street — what gives you hope?
What gives me hope is that we are not all evil and even those who we think are evil can heal and help the world through their stories.
How do you melt into the background in a volatile situation? People don’t like having their picture taken when they’re hyped up…
Just be. That’s the only way to explain it.
Can you tell us about your football projects (in the UK sense of the word) how did an American photographer get into shooting soccer/football?
I got into SOCCER by falling in love with playing FIFA on PlayStation. From there I started Charcoal Pitch F.C. — the first and only Black-owned soccer specific photo and video agency in the world that specialises in multicultural storytelling first. As of today I count The Premier League, Man City, Chelsea, NY Red Bulls, MLS and Pepsi as some of my clients. Right now I am working on post-production of the S3 E1 of Chelsea The Bridge. This is an online show my agency produces where we tell the stories of American Chelsea supporters.
What camera could you never do without?
iPhone.
What other art forms do you, or would you, like to explore? What is it about them that intrigues you?
I would love to make a few films one day, paint more and have my own radio show where I can play the music that I love. What intrigues me about making films, painting and doing radio is that they are all expressions of who and what I want to be known for once it’s all over for me.
When did you know photography was going to be your life?
When people would tell me that I was pretty good at it. It built confidence within me. I don’t like to quit things and I love a challenge. It comes from sports. I played football, aka American football, when I was a youngster.
We want our Artist-in-Residence to expand our readers’ minds…so here’s a comprehensive list of cultural things that have inspired Mel over his career and that he recommends you check out:
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White