Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Downtempo drifting: The sonic influences of boerd

  • Text by HUCK HQ
The Monday Mix — Stockholm-based Bård Ericson – also known as Boerd – shares a tribute to mellow electronica for the latest Monday Mix, pulling together tracks from Röyksopp, DJ Shadow and Burial.

For the latest Monday Mix, Stockholm-based musician boerd shares his selection of sonic influences; fusing downtempo electronica with euphoric synth soundscapes.

boerd, real name Bård Ericson, has become known for his introspective, meticulously made compositions. The 26-year-old has been making music for over a decade – cutting his teeth on chiptune and 16-bit video game consoles, before moving onto a stint as a professional double bass player with the Swedish Royal Opera and the Royal Philharmonic Orchestras.

His latest album Static, released earlier this month, sees Ericson return to the role of bedroom producer – a move encouraged by his love for artists like Bibio, Aphex Twin and Burial.

“I went with a quite chilled out downtempo feel, since I listen a lot to this kind of music,” Bård tells Huck, when asked about the mix. “It starts off with a short excerpt from a 20+ minute song called ‘Hon’ by Gidge, two guys from northern Sweden that have inspired me a lot. It’s probably one of my favourite releases ever when it comes to electronic music.”

“It continues with a wonderful track by Nils Frahm, from his wonderful new album All Melody that came out this year. I love how he combines analogue synths with acoustic recordings. There’s also a track by Röyksopp, a band that I’ve been listening to on and off since I was 15 or so. Kahn is one of my favourite UK producers, and his track ‘Altar’ sticks out a bit from his other stuff. It has a great trip-hop feel to it and I love the vocals. Burial is a great inspiration too – I’ve been listening to his music a lot, especially over the last couple of years.” Listen to the full mix below:

Gidge – ‘Hon (Excerpt)’
Nils Frahm – ‘A Place’
Hot Sugar – ‘Sinkies’
Röyksopp – ‘Sparks’
Giraffage – ‘Feels’
DJ Shadow – ‘Transmission 2’
Kahn – ‘Altar (Feat. Jasmine)’
boerd – ‘Blind’
Axel Boman – ‘Fantastic Piano’
Burial – ‘Fostercare’
boerd – ‘Too Sad’

boerd’s latest EP, Static, is available now on Anjunadeep. 

Enjoyed this article? Like Huck on Facebook or follow us on Twitter. 


You might like

Music

The utopic vision of Black liberation in ’60s & ’70s jazz

Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.

Written by: Miss Rosen

Music

Analogue Appreciation: Wesley Joseph

Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.

Written by: Wesley Joseph

Music

The Strokes condemn US imperialism in Coachella set

Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.

Written by: Noah Petersons

Music

The heady bliss of Glastonbury Festival after the music

Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.

Written by: Isaac Muk

Huck 83: Life Is A Journey Issue

The cathartic roar of Vietnam’s hardcore punk scene

Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.

Written by: Frank L’Opez

Music

The rise of anywhere and everywhere radio

Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.

Written by: Bella Koopman

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.