NYC Skate New Wave
- Photography by Allen Ying
Here, in all their glory are a selection of videos from NYC’s best skate directors.
Zoo York – Mixtape
For the skateboarding world, it was the likes of RB Umali, the long-time Zoo York filmmaker, who began to set the precedent for the city’s skate flicks. The release of Mixtape, circa 1997/’98, is perhaps the strongest example. Drenched in dank ’90s hip-hop, and spliced with footage of myriad rappers freestyling, the forty-minute film showcased some of the city’s finest (and now most revered) skateboarders tearing the streets apart. The vibe seemed organic and the lines improvised, and by Umali’s own admission, that was essentially the case.
Colin Read – 561 to NYC
“I like films and skating that question the usual way things are done,” says Colin. “[I like] skating that is surprising. I think every part of a film should be surprising in some way, whether it’s the skating itself or the way the film is put together. The flow of a film is also very important to me; how the sections change and progress from one to another. The journey. I hate it when a video is just part-part-part-part. I want my films to tell a story with skateboarding, so to speak.” Here we have the intro to Colin’s 561 to NYC but you also need to see The Mandible Claw Video and Tengu.
Josh Stewart – Static IV
Josh Stewart, originally from Florida, also believes that despite the archetypal New York look and feel, it’s important for filmmakers to put their own spin on their work. “I’ve seen a ton of brands come to NY to shoot videos here and use the city as the backdrop of their films,” he says. “And when I watch most of these projects I see the same cliché portrayal of the city with the same cliché portrayal of skating in its streets. Personally, it leaves me with a burning desire to present the city in a new way and to highlight what I think are the aspects of NYC that make it the raddest city in the world.” Below, we’ve got the teaser to Josh’s Static IV but make sure you check out the rest of the Static series.
Read the full story in HUCK 042.
You might like
India’s bodybuilding boom reflects a nation flexing its muscles
Huck’s debut feature documentary reveals how young Indian men are willing to turn their backs on tradition and compete for a better life – even if it means sacrificing their health.
Written by: Alex King
Inside the indie print revolution: How to make your own magazine
With some of the world’s most prominent publishers facing difficulty and announcing layoffs, you’d be forgiven for thinking the publishing industry was on its last legs. In fact, the modern landscape is full of possibility.
Written by: Lydia Morrish
Inside Ireland’s first queer Gaelic football team
Wear your colours — As the country slowly frees itself from the grip of social conservatism, its national sports are modernising too, powered by a new generation of athletes and fans determined to create more inclusive spaces. At the forefront of this movement is Na Gaeil Aeracha, the country’s first ever queer GAA club.
Written by: Róisín Lanigan
Huck Issue 77 is out now
It’s Mitski season — Our new magazine is here, starring the inimitable Mitski. Order your copy now and join us on a trip around the world.
Written by: Niall Flynn
The daredevil exploits of Dhanbad’s DIY stuntmen
Lift off — In Jharkhand state, a group of Indian riders are keeping a dying tradition alive. Welcome to the Death Well: a gravity-defying display of fearlessness that reimagines what’s possible on a two-wheeled machine.
Written by: Niall Flynn
The radical history of Paris b-boy culture is under threat
Break away — Born in the Bronx back in the ’70s, breakdancing later found a similar home in the banlieues of Paris, where marginalised communities adopted the style as a vessel for protest. In 2024, it will feature as an Olympic sport for the first time – but what does this mean for its radical roots?
Written by: Peter Yeung