Along with the Mennonites and the Amish, the Hutterites – founded in the 16th century – are one of three major Christian Anabaptist sectarian groups surviving today. Their 50,000 members almost all live in Western Canada and the upper Great Plains of the United States, and they remain – to different degrees dependent on the colony – distanced from mainstream life and society.
Growing up in Canada, photographer Tim Smith was aware of the Hutterite community from a young age, but knew very little about their culture. His first encounter with the community took place in 2009, when Smith stumbled on some Hutterite women wearing the traditional long apron dresses and head coverings, and asked if he could take their photo.

Children play tag on a pyramid of straw bales, Spring Valley Colony, 2010
“I started building connections, getting to know people, and building relationships, so that I could come back and take more photos,” he explains. Now, over 12 years later, Smith’s project documenting the Hutterites is still ongoing. Last month, the series appeared in Coming of Age, a group show held as part of Belfast Photo Festival.
According to Smith, while there have been some attempts to document this community before, only a handful of photographers have been successful. How much access Smith was given depended on the colony: “Some are weary of photography, but for the most part, people have been very welcoming. Or at the very least, just kind of indifferent,” he explains. “The Hutterites don’t shy away from telling me what they think. They’re very outspoken.”

Portrait of Justin Hofer after butchering egg-laying chickens at Deerboine Hutterite Colony, November, 2015
There’s a good reason as to why Hutterites are careful about who they allow to photograph them. “Hutterites are very aware of and sensitive to stereotypes about their communities, which are often derogatory and dismissive,” he says. “They’re looking for representations in the outside world that don’t further these stereotypes and don’t present them simplistically.”
There is, indeed, a tendency to see Hutterites as a relic from the past, or as somehow ‘backwards’. However, as Smith points out, “this overlooks the complexity and breadth of colony culture”. The assumption that Hutterites shun all forms of technology is one such mischaracterisation, particularly over more recent years, as the community has been forced to keep up with innovations in farming. Decisions over technology will depend on the individual colony, and in certain colonies, a lot of Hutterites have social media, and while they used to not own TVs, many now watch via their smartphone.

Deerboine Colony, 2009
Smith explains: “Hutterite colonies work to balance the traditions that they have developed throughout their 500 year history with the need to be flexible and adapt to aspects of the modern world to stay competitive and viable.”
This need to stay competitive makes sense, given that the Hutterites are a key cog in Canada’s food chain, with colonies operating industrial grade farms that produce grains, eggs, meat and vegetables, which are sold to large distributors and at local farmer’s markets. The colonies are often economically and culturally self-sufficient. As Smith points out: “They’re by far the most successful communal culture in Western society.”

Nevada Waldner at Maple Grove Colony, 2016
It’s this communal culture that Smith thinks people on the outside could learn from. Because colonies are kept to around 200 people, it fosters connections in a way that has perhaps been lost today: “I think we’re so busy, we’re so tied to technology,” says Smith. “Especially after going through this pandemic, there’s a lot of reflecting we could do on the importance of community, physical connection and simply being outdoors in the world around us.”
But importantly, as well, Smith wants audiences who see his photographs to notice similarities, saying: “I hope people can see connections between this community and their own lives.”

Colony kids swimming on a hot August evening, Pine Creek Colony, 2020

Picking corn on a warm September morning, Deerboine Colony, 2017

Portraits of Chantel Hofer in her wedding dress, Deerboine Colony, 2018

After dinner prayer at the essenschul (eating school) in Deerboine Colony, 2017

Planting watermelons and cucumbers in light rain followed by heavy rain and thunderstorm, Deerboine Colony, 2019

Jack Hofer sprints back to his truck to grab his knife after shooting a male bison, Deerboine Colony, 2018
Follow Tim Smith on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White