Poignant portraits of the prom that never happened
- Text by Miss Rosen
- Photography by Alys Tomlinson
A century ago, Gertrude Stein coined the term “lost generation”, referring to the innocence stolen by the shadow of World War I. It was this same generation which roared into the 1920s, chasing the flower of youth that had been mowed down before it had a chance to bloom.
As 2020 comes to a close, so many have experienced profound loss on every level of their lives. For Gen Z, who are just now coming of age, the pandemic has robbed them of the opportunity to debut their talents on the world stage. Schools have closed, jobs disappeared, and social outings are fraught with danger at every turn.
British photographer Alys Tomlinson recognises the toll the pandemic has been taking on the youth. “Exams cancelled, no chance to say goodbye to friends, end of year proms shelved and nothing to mark this significant stage of growing up and moving into adulthood…” she reflects.
As her commissioned work dried up amid the pandemic, Tomlinson decided to make black and white portraits of teens in her diverse North London neighbourhood. From June through August 2020, she photographed some 44 teens using a 5×4 camera for a series of portraits collected in Lost Summer – a new book and exhibition.
“They were mostly excited by it, as they had very little going on,” Tomlinson says of her subjects. “I think some of them felt that it was important to mark this moment in history.”
“Many of the teens were fascinated by my large-format camera, as it’s a very slow and considered way of working. They are so used to instantaneous imagery, that it was interesting for them to see me working this way with a loupe, light meter and focusing cloth.”
Decked out in prom finery, the teens posed in their gardens, backyards, or local parks, each sharing a tender moment of reflection on this significant moment in their lives. Her photos highlight the merging of their inner and outer worlds, offering a poignant meditation on growth and loss.
“I think they have very mixed feelings about the whole experience. In some ways, they feel cheated and sad that they have missed out on so many rites of passage. On the other hand, many of them spoke of finding time for reflection and appreciating the smaller, everyday things in life,” Tomlinson continues.
“They saw it as an opportunity to take time out and really think about the future. I saw a real positivity and determination in many of the teens I photographed that I really admired. Many of them had been involved in Black Lives Matter, and were very actively political in their schools and community,” she says. “They wanted a fairer, better society for all.”
Alys Tomlinson: Lost Summer is on view at HackelBury Fine Art, London, through March 12, 2021. Three images (Samuel, Jack, and Jameela) from this series won first place in the Taylor Wessing Portrait Prize 2020.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Analogue Appreciation: Joe Armon-Jones
All The Quiet (Part II) — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s keyboardist, producer and Ezra Collective member Joe Armon-Jones.
Written by: Joe Armon-Jones
Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern
Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.
Written by: Ella Glossop
The carnival and community of New York’s block parties
Soul of the Summer — Since attending his first street party in Crown Heights two decades ago, photographer Anderson Zaca has spent his summers travelling across New York’s five boroughs, documenting over 300 in the process.
Written by: Miss Rosen
The Getty Center’s first exclusively queer exhibition opens today
$3 Bill: Evidence of Queer Lives — Running until September, it features paintings, ephemera, video and photography to highlight LGBTQ+ histories, culture and people from 1900 to the present day.
Written by: Isaac Muk
Remembering New York’s ’90s gay scene via its vibrant nightclub flyers
Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.
Written by: Miss Rosen
On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos
Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.
Written by: Emma Garland
