The radical art of Shangri-La is coming to London
- Text by Niall Flynn
For those familiar with the effervescent early hours of Glastonbury, Shangri-La is very much an old friend. Situated right in the heart of the festival’s famed ‘naughty corner’, the area has operated as a garish hub of art, activism, performance and party since it was first introduced in 2009, bursting into life when the sun finally sets and festival-goers flock in search of a late-night mecca.
Usually, the radical art and satire of the space is confined to the festival site, but now – as part of a collaboration with The Other Art Fair – Shangri La is on the move. Spearheaded by the team behind the ShangrilART initiative (which operates under the very simple idea that art is for everyone), an immersive instillation in the spirit of Glastonbury is coming to London.
“We wanted people to be able to interact with it in a different way – get it out to people, rather than get people to the art,” explains Kaye Dunnings, Shangri La’s creative director. “It won’t feel like you’re at Shangri-La, but people will recognise a lot of those elements. Really, where we want go with this is take it out to the street and make it free for people to experience.”
Featuring work from Carrie Reichardt, Chris Hopewell, Darren Cullenn, KennardPhillipps and Radiohead collaborator Stanley Donwood, the ShangrilART space at the Other Art Fair will encompass immersive instillations, live performance and giveaways, showcasing all of the mischievous political commentary that makes it such a unique creative space at the festival. For Dunnings, it’s the opportunity to share the synonymous blend of art and activism that Shangri-La has come embody with a wider, more diverse audience, as well as supporting artists who may not be given the same kind of platform in more conventional circumstances.
“ShangrilART is about art being for everyone. It should be for anyone and it shouldn’t be for the elite – people should be able to access it and experience it. There’s still a lot of work to do on that front, but I’m really excited about it. It can take us to some really interesting places– hopefully we’ll inspire loads of people.”
“We don’t just want to have things on walls. We want to make it more interactive.”




ShangrilART will be at London’s Other Art Fair from October 5 to 8.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph
On The Mountain, Jamie Hewlett’s Gorillaz explore life after death
Going East — As everyone’s favourite animated band release their latest album, the visual artist behind it all catches up with Josh Jones to chat about the grief and spirituality underlining the record, as well as his learnings from how other cultures approach death and the afterlife.
Written by: Josh Jones
Greer Lankton’s dolls are more human than you think
Could It Be Love — A staple figure in New York’s ’80s East Village scene, her art shocked and confronted. Now, three decades after her death, a new monograph anthologises her work, which explores the darker sides of human life, but also finds beauty within the strange.
Written by: Miss Rosen
Glaswegian life, captured over 80 years of redevelopment and flux
Still Glasgow — An expansive new GoMA exhibition, curated by Katie Bruce, explores culture and people in the Scottish city, from its post-war tenement communities to its busking musicians.
Written by: Zoe Whitfield