Radical Disco - ICA London | Huck | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

In Pictures: The radical Italian discos of the '60s and '70s

  • Text by HUCK HQ
Architecture exhibition at ICA — Camels, vegetable gardens, magic carpets and multi-colours were all fair game in the free-thinking discos of Italy's radical past. New exhibition at ICA London explores.

The 1960s and 1970s were a brief period of clubbing utopia in Italy where a wave of radical architecture groups started transforming spaces in an ideological way.

The era, brought to life in a new show at the ICA London: Radical Disco: Architecture and Nightlife in Italy, 1965-1975 until January 10, featured experimental architecture groups such as Gruppo 9999, Superstudio and UFO who were bored with postwar modern design and wanted to create something that would make clubbers think, as opposed to escape.

The stage and audio-visual system inside La Fine del Mondo, designed by Pietro Derossi, Giorgio Ceretti and Riccardo Rosso, Turin, 1966. © Pietro Derossi

The stage and audio-visual system inside La Fine del Mondo, designed by Pietro Derossi, Giorgio Ceretti and Riccardo Rosso, Turin, 1966. © Pietro Derossi

Interior of La Fine del Mondo, designed by Pietro Derossi, Giorgio Ceretti and Riccardo Rosso, Turin, 1966. ©Pietro Derossi

Interior of La Fine del Mondo, designed by Pietro Derossi, Giorgio Ceretti and Riccardo Rosso, Turin, 1966. ©Pietro Derossi

An early inspiration for some of the designers in the show was Carlo Mollino’s Le Roi Dancing in Turin. According to design journalist Alice Rawsthorn: “A dancehall, rather than a disco, Le Roi Dancing was built from scratch in an old scrap metal yard in 1959 by a local impresario Attilio Lutrario, who commissioned Mollino to design the interior. Known as the “dark prince” of mid-20th century Italian design, Mollino worked mostly in Turin with a crew of trusted local artisans. Like all of his projects, Le Roi combined colour, form and light to dramatic effect.”

Carlo Mollino’s Le Roi Dancing in Turin

Carlo Mollino’s Le Roi Dancing in Turin

One of the stand-out clubs in the exhibition is Bamba Issa in Forte de Miami by architect Titti Maschietto whose father bought a villa in the area and renovated it into a hotel. Maschietto decided it was the perfect place for UFO to put their theories into practice. According the Guardian: “Bamba Issa took its inspiration from a Disney comic book, Donald Duck and The Magic Hourglass, which UFO felt was “an allegory for capitalism, its arrogance and shortcomings”. The club’s design reflected the comic’s look: it had large lanterns, hourglass-shaped furniture, a DJ booth apparently on a flying carpet.”

Bamba Issa Forte dei Miami, 1970

UFO, lovers on a swing chair, Bamba Issa, Forte dei Marmi, 1970. Photograph by Carlo Bachi, © Lapo Binazzi, UFO Archive.

Bamba Issa Forte de Miami

UFO, amphibious camels returning to Africa, Bamba Issa, Forte dei Marmi, 1969. Photograph by Carlo Bachi, © Lapo Binazzi, UFO Archive.

Co-curated by Dr Catharine Rossi and Sumitra Upham, Radical Disco drops at the ICA London at a time when nightclubs are closing across the UK and the idea of clubs as important cultural spaces needs some serious consideration.

Radical Disco: Architecture and Nightlife in Italy, 1965-1975 is at the ICA London until January 10.


You might like

Music

Queen Millz: “Getting kicked out of school changed my life”

What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s leading Leicester wordsmith Queen Millz.

Written by: Queen Millz

© Celine Antal
Music

Is Field Maneuvers the most fun time ever? Yes probably

Collective joy — Huck’s art director Samuel White went to the 2026 edition, braving a wet start and interviewing FLINTA* collective and arm wrestling legends Uhaul Dyke Rescue in the process.

Written by: Samuel White

© Patrick Gunning
Music

Green Man is more than a music festival

Planting roots — For nearly a quarter century, the fiercely independent weekender has been flying the flag for Welsh arts and music. As an ecosystem now bubbles around it, Anna Stafford meets the people who keep the fire burning.

Written by: Anna Stafford

Culture

Kristina Rozhkova’s scatty, confronting portrait of captivity

Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.

Written by: Isaac Muk

Music

Julian Cashwan Pratt: “We fought security until the cops showed up”

Hard Feelings — The lead singer of Show Me the Body joins Rob Kazandjian’s column on fatherhood and masculinity to talk about mentors, scrapping Zionists at shows, and finally making his father proud.

Written by: Robert Kazandjian

© Photography by Benedict Priddy | Khroma Collective (www.instagram.com/khromacollective)
© Benedict Priddy | Khroma Collective
Culture

Washing strangers’ feet at Houghton Festival

Pedilavium — As part of artist Henry Krokatsis’s performance piece at the weekender, we sat down with over 30 others to clean the dusty digits of passersby, while reflecting on the power of collective ritual and human connection.

Written by: Isaac Muk

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.