In Pictures: The radical Italian discos of the '60s and '70s
- Text by HUCK HQ
The 1960s and 1970s were a brief period of clubbing utopia in Italy where a wave of radical architecture groups started transforming spaces in an ideological way.
The era, brought to life in a new show at the ICA London: Radical Disco: Architecture and Nightlife in Italy, 1965-1975 until January 10, featured experimental architecture groups such as Gruppo 9999, Superstudio and UFO who were bored with postwar modern design and wanted to create something that would make clubbers think, as opposed to escape.

The stage and audio-visual system inside La Fine del Mondo, designed by Pietro Derossi, Giorgio Ceretti and Riccardo Rosso, Turin, 1966. © Pietro Derossi

Interior of La Fine del Mondo, designed by Pietro Derossi, Giorgio Ceretti and Riccardo Rosso, Turin, 1966. ©Pietro Derossi
An early inspiration for some of the designers in the show was Carlo Mollino’s Le Roi Dancing in Turin. According to design journalist Alice Rawsthorn: “A dancehall, rather than a disco, Le Roi Dancing was built from scratch in an old scrap metal yard in 1959 by a local impresario Attilio Lutrario, who commissioned Mollino to design the interior. Known as the “dark prince” of mid-20th century Italian design, Mollino worked mostly in Turin with a crew of trusted local artisans. Like all of his projects, Le Roi combined colour, form and light to dramatic effect.”

Carlo Mollino’s Le Roi Dancing in Turin
One of the stand-out clubs in the exhibition is Bamba Issa in Forte de Miami by architect Titti Maschietto whose father bought a villa in the area and renovated it into a hotel. Maschietto decided it was the perfect place for UFO to put their theories into practice. According the Guardian: “Bamba Issa took its inspiration from a Disney comic book, Donald Duck and The Magic Hourglass, which UFO felt was “an allegory for capitalism, its arrogance and shortcomings”. The club’s design reflected the comic’s look: it had large lanterns, hourglass-shaped furniture, a DJ booth apparently on a flying carpet.”

UFO, lovers on a swing chair, Bamba Issa, Forte dei Marmi, 1970. Photograph by Carlo Bachi, © Lapo Binazzi, UFO Archive.

UFO, amphibious camels returning to Africa, Bamba Issa, Forte dei Marmi, 1969. Photograph by Carlo Bachi, © Lapo Binazzi, UFO Archive.
Co-curated by Dr Catharine Rossi and Sumitra Upham, Radical Disco drops at the ICA London at a time when nightclubs are closing across the UK and the idea of clubs as important cultural spaces needs some serious consideration.
Radical Disco: Architecture and Nightlife in Italy, 1965-1975 is at the ICA London until January 10.
You might like
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
Wu-Tang Clan forever, and ever
The Final Chamber — RZA, the spiritual leader of one of the most important hip hop groups of all time explains why they won’t rest until their legacy is secured.
Written by: Yoh Phillips
On The Mountain, Jamie Hewlett’s Gorillaz explore life after death
Going East — As everyone’s favourite animated band release their latest album, the visual artist behind it all catches up with Josh Jones to chat about the grief and spirituality underlining the record, as well as his learnings from how other cultures approach death and the afterlife.
Written by: Josh Jones
Lisette Model’s ’50s jazz pictures were nearly lost to McCarthyism
The Jazz Pictures — A landmark new book edited by Audrey Sands uncovers nearly 1,500 photographs from the genre’s golden age previously thought to be lost. Featuring the likes of Billie Holliday, Miles Davis and Louis Armstrong, they tell both a story of music and resistance in the face of oppression.
Written by: Miss Rosen