Rare and intimate photos of Billie Holiday in the ‘50s
- Text by Miss Rosen
- Photography by Jerry Dantzic
While working the front desk of New York’s Plaza Hotel in early 1999, Grayson Dantzic came upon something that would change the course of his life. It was a body of work by his father, Jerry Dantzic (1925-2006), made of the jazz icon Billie Holiday in 1957, just two years before her death at the age of 44.
Jerry, then 74, lay bedridden in the Park Slope brownstone they shared. Grayson asked his father about the photos, to which Jerry responded by pointing to the ceiling and instructing him to go up to his studio.
“Up until that point, I had not been permitted to go there,” Grayson recalls. “When I came downstairs, my life was forever changed. I told him, ‘Through your past I have found my future. I’m going to quit my job and work for you!’”

Billie Holiday at the kitchen sink of the Dufty’s apartment at 43 West 93rd Street in Manhattan, April, 1957
While reviewing his father’s archive, Grayson came upon nine contact sheets Jerry made of Billie Holiday in April 1957. On assignment for Decca Records, he documented the legendary jazz and blues vocalist’s two-week long run at the Sugar Hill nightclub in Newark, New Jersey. What makes this body of work so unique is that Jerry didn’t stop there. He spent time with her off stage, on the street, and in her home, among her friends, family, and pet Chihuahua, Pepi.
The photographs, now on view in Billie Holiday at Sugar Hill: Photographs by Jerry Dantzic, offer an intimate look at the life of ‘Lady Day’ (as she was nicknamed) – an extraordinary woman whose image was larger than life. Through her music, she fought racism, misogyny, and drug laws that criminalised the Black community.
In 1956, she published her memoir, Lady Sings the Blues, offering a no holds barred portrait of art, love, and addiction amid the struggle. Jerry’s portraits captured the tender side of a woman who had seen it all and lived to tell the tale.

Billie Holiday embraces a fan on Broad Street after receiving a gift, Newark, New Jersey, April, 1957

Billie Holiday on stage at Sugar Hill, Newark, New Jersey, April, 1957
“Billie was cautious of his intentions and purpose at first, but as the week continued she did seem to relax and learned to trust him very much,” Grayson says. “It never escapes me that when Billie is looking and smiling at the camera, she is looking and smiling directly at my father.”
Working without a flash and using only the available light, Jerry worked patiently. “What he chose to document – her affectionate relationship with her little dog and fans on the street, her almost maternal relationship with her godchild and her comfort level in the Dufty kitchen – were of the most importance to him,” Grayson says.
Jerry took a simple assignment to create a record cover and transformed the project into a historic document. They also bring us into this moment forged between two artists who shared an understanding about the power of photography to reveal the hidden layers we rarely see, providing a new understanding of the woman behind the image.

Billie Holiday holding her pet Chihuahua, Pepi, in front of Sugar Hill, Newark, New Jersey, April 18, 1957

Billie Holiday performing on stage with her band, Sugar Hill, Newark, New Jersey, April, 1957

Billie Holiday with Maely Dufty and Bevan, her son and Billie’s godchild in the kitchen of the Dufty’s apartment in Manhattan, April, 1957

Billie Holiday walks off into the night on Broad Street after a gig at Sugar Hill, Newark, New Jersey, April, 1957
Billie Holiday at Sugar Hill: Photographs by Jerry Dantzic is on view through August 21, 2022, at the Newark Museum of Art in Newark, New Jersey. It will travel to West Baton Rouge Museum in Port Allen, Louisiana from September 10, 2022–January 7, 2023. A book of the same name is published by Thames & Hudson.
Enjoyed this article? Follow Huck on Twitter and Instagram.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
Wu-Tang Clan forever, and ever
The Final Chamber — RZA, the spiritual leader of one of the most important hip hop groups of all time explains why they won’t rest until their legacy is secured.
Written by: Yoh Phillips