Five things you might not know about 'the man who brought the blues to Britain'
- Text by King Adz
A new BBC Four programme – In Search of Rory McEwen – which premieres this Friday, February 13, is exploring the extraordinary backstory of ‘the man who brought the blues to Britain’.
Jools Holland narrates the tale of his father-in-law Rory McEwen – aristocrat, artist, folk singer and pioneering TV presenter – and it features rare archive footage, McEwen’s beautiful paintings and contributions from an eclectic cast including Van Morrison, David Dimbleby and Jonathan Miller.
In homage to the unsung hero, writer King Adz has curated these five things about him you might not know.
He’s Totally Self-Taught
He did it all (himself): influential Folk singer, pop artist, tv face, Laird of the lowland, journalist, and painter of killer botanical art all without any formal training.
He Influenced The Beatles
He convinced George Harrison to learn the sitar and probably changed the sound of pop/rock in the process. Spreading the DIY word, as it were.
He pioneered the ‘Road Trip Movie’
Collaborated with the great German conceptual artist Joseph Beuys and in 1970 they made a road movie depicting Beuys’ journey from Edinburgh across to Rannoch Moor. A blueprint to a DIY staple – the road trip/movie.
He impressed Leadbelly’s widow
In 1956 Rory travelled across America with his kid brother and creative partner-in-crime Alexander, search of blues legend Leadbelly’s widow, Martha along the way singing the blues as well as Scottish folk songs. When they found her she was so impressed by their understanding of, and skill at, playing her late husband’s music, that she allowed Rory to play Leadbelly’s custom-made 12-string Stella guitar, inspiring him to find his own.
He was the first person to play the 12-string guitar on British TV
Inspired by Leadbelly and his meeting with Martha, Rory brought a piece of American music history home with him.
In Search of Rory McEwen premieres on BBC Four February 13.
You might like
Green Man is more than a music festival
Planting roots — For nearly a quarter century, the fiercely independent weekender has been flying the flag for Welsh arts and music. As an ecosystem now bubbles around it, Anna Stafford meets the people who keep the fire burning.
Written by: Anna Stafford
Julian Cashwan Pratt: “We fought security until the cops showed up”
Hard Feelings — The lead singer of Show Me the Body joins Rob Kazandjian’s column on fatherhood and masculinity to talk about mentors, scrapping Zionists at shows, and finally making his father proud.
Written by: Robert Kazandjian
Lost photos from the heyday of punk and new wave
Crash Bang — DB Burkeman’s latest photobook unearths photographs from his younger years as an aspiring music photographer, which sat undeveloped in his family home for decades.
Written by: Miss Rosen
Analogue Appreciation: Xmunashe
Make Yourself At Home — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s elusive freeform explorer Xmunashe.
Written by: xmunashe
Grainy, yearning memories of Europe’s ’90s free rave heyday
Never Alone — A new photobook from Cheyenne Clementi and Valentina Morandi presents pictures they made over seven years while touring the continent as part of the Tekno Mobil Squad soundsystem crew. It archives parties, people and a lifestyle largely consigned to the past.
Written by: Isaac Muk
As Hanoi’s nightlife faces raids & repression, its underground scene modulates
Spaces Between the Beats — Tensions between nightlife and authorities have grown in recent times, as police target venues and their patrons with increasingly frequent drug testing and searches. With clubs becoming hostile spaces as a result, Hanoi’s electronic music community is finding new spaces and forms of expression, reports Martin Guttridge-Hewitt.
Written by: Martin Guttridge-Hewitt