Sebadoh

Defend Yourself — Post-punk pioneer and Sebadoh frontman Lou Barlow talks to HUCK about balancing touring with home life, recording in a DIY practice space and not caring about being cool.

A founding member of Dinosaur Jr., Lou Barlow found a life playing in hardcore bands around Massachusetts in the early ’80s. Now a father, the forty-seven-year-old songwriter and self-professed ‘band clerk’ has a wealth of musical history to look back on; including solo records, sold-out shows and flopped record label deals. After being infamously kicked out of Dinosaur Jr. following personal clashes with frontman J Mascis, Barlow began new trio Sebadoh as a fresh musical output.

Defend Yourself, Sebadoh’s first album since 1999, is a stirring fix of earthy indie rock. Self-recorded in a rented rehearsal room, the record is phlegmatic and alluring, juxtaposing dark lyrical depth and lazy jubilant melody. Having rejoined Dinosaur Jr., Lou Barlow co-wrote the album with bassist Jason Loewenstein; their first self-recorded offering since 1994’s seminal Bakesale. We caught up with Lou to find out more.

How did Defend Yourself come about?
We recorded most of it in the spring of 2012. We had about two weeks together between all of my recording and touring with Dinosaur Jr., then we spent two weeks recording the basic tracks of the record. I found some time at the end of 2012 to record my songs and Jason [bass] did the same. Then we put the finishing touches on the record earlier this year. It wasn’t a strict amount of time to work on it, but we did have time to think about it.

You recorded Defend Yourself yourself in a practice room. How was that process?
Well the last Sebadoh record was recorded in a couple of studios and we had a pretty big budget to do it. This one was much more about the three of us and there was no outside influence. We did it as efficiently as possible and we produced it ourselves. My songs were mixed by Wally Gagel, but other than that it was just Jason that did it all.

It sounds like it worked out.
Yeah I think our best work comes out of that approach. Studios are fine and they can be a great challenge, but it can be very clinical and they lack the personal intimacy of doing something yourself. We’d much rather be comfortable.

How much time did you spend writing the record?
Well I came to the recording with about seven or eight ideas; guitar chords, all sorts of lyrical concepts and stuff like that – but nothing finished really. Then we sat for the two weeks we were recording it when I banged all my ideas together and put them into shape with Bob and Jason. Between recording the songs and recording vocals I conquered how I wanted to sing the songs and what they were going to be about.

‘Oxygen’ and ‘State Of Mine’ sound like Sebadoh’s most poppy songs ever. It sounds like Defend Yourself as whole has this youthful, upbeat tone to it.
I don’t wanna disagree with you because that’s great, but I think for me it’s fairly a dark record. I actually find it reminiscent of Bakesale. Although I would say there’s an energy to it and when I hear it, I hear us having a lot of fun. The overall lyrical theme is darker but musically you’re right, there’s definitely an energy and a spark behind it.

What do you focus on at home when you’re not away with Sebadoh or Dinosaur Jr.?
I haven’t been home for a week or two in a really long time, so it’s hard to say what I do. I mean, today I’m just spending my day doing domestic stuff and organising flights. Sebadoh is a self-managed band and it’s very hands-on. I find myself doing a lot of clerical work. I’ve always done that. I think I’m always struggling in things, mostly in striking a balance between keeping everything under control and then also finding time to write songs.

How has songwriting changed for you?
I’m not a very imaginative writer, so I tend to have to draw from my own experiences, which is always the way I’ve done it I guess. But now I have to plan things out and be pre-meditated about what I do. That impulsive way I used to write when I was younger and didn’t have children – I could have spent a day writing impulsively off the top of my head! Now I have to budget my time. Now I’ll have three hours to come up with a bunch of ideas. I’d actually like to get back to writing more impulsively.

How do you remain inspired?
I really like writing songs, I love finishing songs, I love working on them. The fact that I like it inspires me. The other thing is that it’s really what I do – it’s not a hobby. It never has been for me. It’s how I’ve chosen to spend my time.

What are you listening to at the moment?
I liked a lot of garage rock that was happening for a few years. The first band I found who I thought were remarkable were The Black Lips. I was really excited about Animal Collective for a while too. I thought Panda Bear’s solo record Person Pitch was one of my favourite records of all time for a while. I’m always listening to stuff.

Are there any goals you want to achieve with Sebadoh?
No, other than playing some sold-out shows once in a while. But that’s as far as I’m gonna go. I’ve been in bands that went through so many different stages of popularity and in a lot of ways I’ve reached all of my ultimate goals; which were to play shows and be able to go on tour. I don’t have any grand plans, I would just like to do well and survive. I think what J Mascis has with Dinosaur Jr., I’d like to have that with Sebadoh some day.

Did you ever think of giving up in those down periods of popularity?
No, you just power through. I didn’t start a band in order to become everybody’s favourite one. The idea originally was to be a part of it – to belong to some big family of bands and musical influences. I guess that I have achieved that. There’s a part of me that wants to say that I’m still not there and I have a lot of work to do. And there’s a lot more to do – there’s still one more place that I haven’t played yet.

Defend Yourself is out now on Domino Records and can be streamed on the Sebadoh Soundcloud.


You might like

A woman with curly blonde hair wearing a black dress and making a peace sign gesture in front of a dark background.
Music

Nina Utashiro builds disquieting, macabre sonic worlds

Huck x Eastern Margins — We caught up with the Japanese-German rap experimentalist ahead of her performance at Huck’s SXSW London joint event with Eastern Margins.

Written by: Isaac Muk

Smiling people enjoying a night out, one person wearing a red hat and jacket.
Music

Huck teams up with Eastern Margins for a special SXSW London showcase

From Shibuya to Shoreditch — Taking place at Village Underground on Monday, performances will come from MONO, Nina Utashiro, Ena Mori, Jianbo, LVRA & Soda Plains.

Written by: Isaac Muk

A person in a grey jacket stands against a mountainous, foggy landscape. The image has the text "huck presents Analogue Application" overlaid in yellow and green.
Music

Analogue Appreciation: Shura

I Got Too Sad For My Friends — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s English singer-songwriter Shura.

Written by: Shura

Cello player and bearded man seated with text 'Spaces Between the Beats' in the background.
Music

After Assad’s fall, Syria’s musicians rebuild from the rubble

Spaces Between the Beats — Following decades of dictatorship and 14 years of civil war, the country’s classical and creative scenes have an opportunity to build from scratch. Andrei Popviciu speaks to the people hoping for a flourishing new era of art and sound.

Written by: Andrei Popoviciu

A group of people sitting around a campfire in a dark forest, with trees and flowers in the background illuminated by the fire's glow.
© Angelina Nikolayeva
Music

At Belgium’s Horst, electronic music, skate and community collide

More than a festival — With art exhibitions, youth projects and a brand new skatepark, the Vilvoorde-Brussels weekender is demonstrating how music events can have an impact all year round.

Written by: Isaac Muk

A person wearing a black cap and holding a sign that says "What made me"
Music

Tony Njoku: ‘I wanted to see Black artists living my dream’

What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s avant-garde electronic and classical music hybridist Tony Njoku.

Written by: Tony Njoku

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.