The secretive siblings creating beautiful, defaced artwork
- Text by Niall Flynn

Almost every picture created by Eddie and Charlie Proudfoot is an individual portrait with the face blanked out. They won’t say why.
In fact, there are a number of things that the artist siblings choose not to disclose. They won’t be drawn on their upbringing, nor the individual spells in foster care, psychiatric hospitals and prison that followed, either. There isn’t even a record of their age. So, when it comes to the absence of an explanation for the elaborately defaced figures that make up their art, it’s just a small part of a much larger silence that surrounds the two secretive brothers. Lucky, then, that the pictures speak for themselves.

Eddie and Charlie Proudfoot, Construction Brother

Eddie and Charlie Proudfoot, Butt Naked Blue
Through their work, Eddie and Charlie – who reside together in New York’s Lower East Side and claim to have been making art “some 40-something years” – have constructed a method of communication with the world outside of their apartment that doesn’t intrude on their self-enforced isolation. Using old magazines, newspapers and advertising boards (donated to them by fellow residents) as canvases, their pictures operate as a way of “getting their thoughts out.” It makes for a series of portraits that are as beautiful as they are arresting; as strangely optimistic as they are stark.
“One day, our neighbour saw me taking some old magazines from a dumpster next to our block and asked me what I was doing,” Eddie, the elder by two years, explains. “So I told her what me and Charlie do with them [and] she told me off for taking shit out of a dumpster and said she would ask the neighbours to save their magazines and stuff. So, most weeks we get a pile of papers and magazines and old books.”
“Sometimes it takes a couple of seconds to do a piece, but sometimes it takes hours. Every time we look at a piece we think about the person in the picture – we wonder what they do who they really are. We make up little stories about them, [they] make us laugh, and sometimes make us sad.”

Eddie and Charlie Proudfoot, Shooting Shaolin

Eddie and Charlie Proudfoot, Mixed up Model
Now, as part of a new exhibition dedicated to exploring mental health within art, the brothers’ work will show at London’s Zebra One Gallery alongside the likes of Salvador Dali, Francis Bacon and Andy Warhol, as well as a range of other contemporary artists. All of the pictures are credited to both Eddie and Charlie simultaneously; regardless of who contributes what to each respective work, they consider every picture a collaborative endeavour, as is the nature of their close-knit, protective relationship.
The show marks the first time that the Proudfoots’ work will be seen on such a scale, a prospect that leaves them, in their own words, both “scared and kinda excited”. However, either way, it doesn’t really matter what anyone else makes of it: they make art for themselves, each other, and don’t have any plans to change that. Their portraits help tell their own troubled – though, ultimately somewhat uplifting – story of unity, resolution and creative salvation. It’s theirs, and theirs alone.
“All these magazines and stuff, not everybody is pretty,” Eddie muses. “We should look past all that dressing and see the inside.”

Eddie and Charlie Proudfoot, Sad Boy

Eddie and Charlie Proudfoot, Fuck Trump

Eddie and Charlie Proudfoot, Peruvian Princess

Eddie and Charlie Proudfoot, The Girl and the Guy

Eddie and Charlie Proudfoot, War Stories
With Art In Mind will run at London’s Zebra One Gallery from November 17, 2017 until the end of the year.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

The rebellious roots of Cornwall’s surfing scene
100 years of waveriding — Despite past attempts to ban the sport from beaches, surfers have remained as integral, conservationist presences in England’s southwestern tip. A new exhibition in Falmouth traces its long history in the area.
Written by: Ella Glossop

How the ’70s radicalised the landscape of photography
The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.
Written by: Miss Rosen

A new documentary explores Japan’s radical post-war photography and arts scene
Avant-Garde Pioneers — Focusing on the likes of Daidō Moriyama, Nobuyoshi Araki, Eikoh Hosoe and many more, the film highlights the swell of creativity in the ’60s, at a time of huge economic change coupled with cultural tensions.
Written by: Isaac Muk
From his skating past to sculpting present, Arran Gregory revels in the organic
Sensing Earth Space — Having risen to prominence as an affiliate of Wayward Gallery and Slam City Skates, the shredder turned artist creates unique, temporal pieces out of earthly materials. Dorrell Merritt caught up with him to find out more about his creative process.
Written by: Dorrell Merritt

Remembering Taboo, the party that reshaped ’80s London nightlife
Glitter on the floor — Curators Martin Green and NJ Stevenson revisit Leigh Bowery’s legendary night, a space for wild expression that reimagined partying and fashion.
Written by: Cyna Mirzai

Inside the world’s only inhabited art gallery
The MAAM Metropoliz — Since gaining official acceptance, a former salami factory turned art squat has become a fully-fledged museum. Its existence has provided secure housing to a community who would have struggled to find it otherwise.
Written by: Gaia Neiman