Sheffield Doc/Fest

Field Notes Part II: State of the Nation — In Huck's latest roundup of new documentaries from Sheffield Doc/Fest, we focus on homegrown stories from the UK.

As the biggest documentary film festival in the UK, Sheffield Doc/Fest is undoubtedly the best place to go to find the state of the nation reflected on film. The local tales on show revealed a Britain struggling to overcome the social, political and economic challenges it faces in these difficult times, but each of the films mentioned below play an important role in catalysing the societal debate we need to if we are to find collective solutions.

Chemsex

Screen Shot 2014-04-15 at 2.30.41 PM

Chemsex by Will Fairman and Max Gogarty

Human beings have been combining drugs and sex to fuel decadent orgies for millennia, but Chemsex reveals that the latest evolution of this practice is having devastating effects on London’s gay community. “Slamming” is a euphemism for injecting and “slamming parties” involve drugs like Crystal Meth taken intravenously to keep sex parties going; sometimes for days at a stretch. These parties have surged in popularity thanks to online forums and apps like Grindr which allow groups of gay men to meet for casual and often unprotected sex.

Support services have noticed a big spike in HIV and Hepatitis C, alongside other problem related to drug use and addiction. The film uses a specialist clinic in Soho as a point of entry to find that health services have limited resources to cope with the problem. There is no coordinated strategy in place to prevent further dramatic rises in the use of injected drugs to enhance sexual experience and many of the users are unaware of the risks involved.

The work-in-progress cut presented at Sheffield by Will Fairman and Max Gogarty from Vice made for fairly harrowing viewing, but their conscientious handling of the subject, combined with the need to raise awareness about an issue with such serious public health implications and the potential to ruin so many lives wholly justifies the at times unpleasant experience.

Still The Enemy Within

Sheffield was a poignant location for the screening of Owen Gower’s Still the Enemy Within as the events of the miners’ strike in 1984-5 are still remembered with feeling in Yorkshire. Three decades ago, local miners were among those who downed tools to protest against the Thatcher government’s attempts to close coal mines, break the National Union of Mineworkers and drastically reduce the power of organised labour in the UK.

Although it was a tense and emotional time, the strike brought out the best in miners and their communities as they came together to support one another through difficult times. At the same time, it showed the British state at its most vicious and ugly, violently repressing people who were trying to protect their right to employment while relying on friends in the media to cover up abuses and discredit the striking miners.

The film recalls the events of the mid 80’s with humour and passion, providing crucial details on events that have only become clear with the release of classified documents in line with the Thirty-year rule.

For many in the room, this was not just a piece of history, but an experience they lived and breathed. However, for everyone else the repercussions of the strike are still being felt and the film connects the era of privatisation and financialisation ushered in by Thatcher’s victory with the zero hours contracts, unemployment and austerity of today.

Kids on the Breadline

Kids on the Breadline is almost the spiritual sequel to Still the Enemy Within as it documents the effects on families of the same mean and divisive politics that miners fought against three decades ago. Austerity, a fall in real wages and cuts and delays to benefit payments under the current government have driven unprecedented numbers of families to rely on food banks to feed themselves in the seventh wealthiest nation on earth.

Jezza Neumann’s documentary follows three families as they struggle to make ends meet. All of the children featured in the film come across as chirpy and resilient in the face of hard times, but the desperation written across the faces of the parents and carers who are forced to resort to ever-more desperate measures to keep the wolves from the door is hard to ignore. By allowing thousands of children to grow up in these circumstances, as a society we are resolutely failing the next generation.

Stay locked to the Huck site for more from Sheffield Doc/Fest.


You might like

Man singing at microphone on stage, wearing red shirt and tattoo on arm, playing electric guitar.
Activism

Green Day’s Billie Joe Armstrong tells ICE to “fuck off” in LA protest video

Saviors — The singer shared the post on Sunday, featuring the band’s recently released song ‘Fuck Off’ as its soundtrack.

Written by: Isaac Muk

Family of 6 people, including 3 children, standing together in front of a wooden fence.
Activism

Meet the Kumeyaay, the indigenous peoples split by the US-Mexico border wall

A growing divide — In northwestern Mexico and parts of Arizona and California, the communities have faced isolation and economic struggles as physical barriers have risen in their ancestral lands. Now, elders are fighting to preserve their language and culture.

Written by: Alicia Fàbregas

A person wearing a red bandana and denim jacket, looking directly at the camera.
Activism

A new book explores Tupac’s revolutionary politics and activism

Words For My Comrades — Penned by Dean Van Nguyen, the cultural history encompasses interviews with those who knew the rapper well, while exploring his parents’ anti-capitalist influence.

Written by: Isaac Muk

Black and white image of several people in suits, some with long hair and unconventional appearances, alongside a large ship or boat model. Text overlaid: "FREAKS AND FINANCES".
Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

Crowd of protesters holding Palestinian flags and signs calling for "Free Palestine" outside the UK Houses of Parliament.
Activism

A reading of the names of children killed in Gaza lasts over 18 hours

Choose Love — The vigil was held outside of the UK’s Houses of Parliament, with the likes of Steve Coogan, Chris O’Dowd, Nadhia Sawalha and Misan Harriman taking part.

Written by: Isaac Muk

Dimly lit underground carpark, long winding corridor with concrete walls, floor, and pipes above.
Activism

Youth violence’s rise is deeply concerning, but mass hysteria doesn’t help

Safe — On Knife Crime Awareness Week, writer, podcaster and youth worker Ciaran Thapar reflects on the presence of violent content online, growing awareness about the need for action, and the two decades since Saul Dibb’s Bullet Boy.

Written by: Ciaran Thapar

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.