Sub Pop founder Bruce Pavitt on finding culture where no one is looking
- Text by Huck HQ / Casey Jarman
- Photography by Andy Bokanev
#16 – Bruce Pavitt
Sub Pop founder Bruce Pavitt can trace his career arc back to attending an alternative high school in Park Forest, Illinois. “It wasn’t all about listening to the teacher,” he says. “It was always, ‘What do you think?’ And that’s punk rock, right?” In 1986, while attending college in Olympia, Washington, Pavitt started a cheaply printed music zine full of album reviews and anti-corporate rants called Sub Pop. That zine gradually became a record label, and the label became home to some of the best underground music in America, including an unknown trio from Aberdeen, Washington, called Nirvana. Pavitt explains that zeitgeist altering culture can spring from anywhere in the world:
“I discovered Devo’s first 7-inch single in 1977 and just said, ‘What is this?’ It was so creative and different and unusual, and it was from Akron, Ohio. That was the surreal part. A year later, I happened to go to Max’s Kansas City nightclub to see the B-52s, who I read about in the Village Voice. I had never seen anything like it. Their sound and aesthetic and the way they presented themselves, it was so unique. And the B-52s were from Athens, Georgia. So it felt like the weirdest stuff in the underground was actually from small towns in the middle of nowhere. I became a firm believer that culture could happen anywhere. A band could start in a basement in a small town and go on to change the culture of the planet.”
This is just a short excerpt from Huck’s Fiftieth Special, a collection of fifty personal stories from fifty inspiring lives.
Grab a copy now to read all fifty stories in full. Subscribe to make sure you don’t miss another issue.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
The rise of anywhere and everywhere radio
Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.
Written by: Bella Koopman