Surf rock gets a new sound in Biarritz
- Text by HUCK HQ
Surfer and musician LeeAnn Curren marries the Biarritz vibe with New York indie ideals for a new kind of sound that is distinctly evolved from the old shred-affiliated jams.
Where does the Betty The Shark story begin?
It all began in Biarritz in 2005 at the Jean Rostand High School. Philip Caradona (guitar and vocals) and his sister Christina (troprouge.com) moved there from New York and we quickly became very good friends. At the time we all were in different bands but we decided to start a little acoustic band called Betty The Shark. We’ve been playing on and off since then, but in 2011 we really brought the project back to life, with the adding of two other band members Yan (drums) and Quentin (guitar).
How has the sound evolved over the last couple of years?
It has evolved a lot. We have a lot of different influences. It started being a mix of folk and hip hop, then we did a few electro songs for demos, and since 2012 we are more in the indie rock category.
What are the main inspirations for the band?
Lots of the melodies come when I’m surfing or driving. Moments when your mind is not too busy and it can run by itself. Philip does half of the songwriting, it seems like he finds a lot of inspiration in electronic music and YouTube videos of Indian gurus.
Do you approach your surfing and your music in the same way?
I can be pretty focused in both. I think when it comes to technique, the learning process is pretty similar, you just need to put the time in and keep having fun with it. But music is more of a team thing, and you need the patience to make it evolve with the whole band. It is not easy all the time but very rewarding.
What would be the dream for the band?
Play in Japan.
What’s the creative scene like in Biarritz?
Biarritz is the kind of place that gets very crowded and busy during the summer, and then pretty empty in the winter time. It is nice to be there in the winter, though, because you get a lot of time to work on different projects, and there is a good group of creative people to emanate from and work with – Mathieu Chavaren, Cecile Mestelan, Emmy Martens, Damien Caccia, Christina Caradona, to name a few.
You might like
Space Afrika are flying the flag for the Black avant-garde
Quiet Storm — Mancunian duo Joshua Tarelle Reid and Joshua Inyang have been soundtracking their vision of industrial decay for the best part of a decade. Their latest album sees the pair join forces with global diasporic voices to create their most personal, expansive record yet.
Written by: Jack Dennison-Thompson
The long history of slop in music
Top of the Slops — The term might be everywhere now, but the act of copying and enshittifying has been around for decades, explains Ian McQuaid.
Written by: Ian McQuaid
Queen Millz: “Getting kicked out of school changed my life”
What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s leading Leicester wordsmith Queen Millz.
Written by: Queen Millz
Is Field Maneuvers the most fun time ever? Yes probably
Collective joy — Huck’s art director Samuel White went to the 2026 edition, braving a wet start and interviewing FLINTA* collective and arm wrestling legends Uhaul Dyke Rescue in the process.
Written by: Samuel White
Green Man is more than a music festival
Planting roots — For nearly a quarter century, the fiercely independent weekender has been flying the flag for Welsh arts and music. As an ecosystem now bubbles around it, Anna Stafford meets the people who keep the fire burning.
Written by: Anna Stafford
Julian Cashwan Pratt: “We fought security until the cops showed up”
Hard Feelings — The lead singer of Show Me the Body joins Rob Kazandjian’s column on fatherhood and masculinity to talk about mentors, scrapping Zionists at shows, and finally making his father proud.
Written by: Robert Kazandjian