Thierry Noir
- Text by HUCK HQ
- Photography by Video by Ed Andrews
The world has changed immensely in the thirty years since Thierry Noir first painted on the Berlin Wall in 1984. Although the Cold War is long over, Thierry still feels his art has a role to play in brightening up people’s lives.
He compares experience of feeling trapped like a sardine in today’s London to the immense pressure he felt in West Berlin, surrounded by the city’s suffocating walls, that first provoked him to paint as a way of finding release.
Huck caught up with the French artist in London as he unveiled a retrospective of the last three decades of his work at the Howard Griffin Gallery.
You might like
Moshpits & kickflips at the Volcom Garden Experience 2026
Family affair — Last weekend, the skate, surf and snow culture brand hosted a free mini festival in its European backyard of Biarritz. We went along and chatted to legendary artist and surfer Ozzie Wright.
Written by: Isaac Muk
Horst Festival is a blueprint for a creative, collective future
Hymn — Highlighted by an engrossing performance directed by Fallon Mayanja, the 2026 edition was a showcase of ASIAT Park’s ever-evolving space as an incubator for art, music and creativity.
Written by: Isaac Muk
A portrait of the UK’s oldest boxing club
Learning the Ropes — A new documentary by Ryan Pickard chronicles the hard-edged history of Repton Boxing Club in Bethnal Green, while asking poignant questions about the present and future of the sport in the UK.
Written by: Sydney Lobe
New film spotlights London’s Bubble Club, the party by people with learning disabilities
Radically inclusive clubbing — Produced by Muddled Marauders and currently fundraising for completion, the feature documentary focuses on the inclusive night, which has been in operation since 2005.
Written by: Roxana Diba
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
