HUCK#032 cover star Thomas Campbell made us two very beautiful flowers in his Bonny Doon studio.
These are similar to ones featured in a recent show. Pretty nice, right? But not as nice as it will look when it’s hanging on your wall.
*Please note: This competition has now closed. Sorry!*
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Washing strangers’ feet at Houghton Festival
Pedilavium — As part of artist Henry Krokatsis’s performance piece at the weekender, we sat down with over 30 others to clean the dusty digits of passersby, while reflecting on the power of collective ritual and human connection.
Written by: Isaac Muk
The anti-tourism guides revealing Lisbon’s true, radical heart
We Hate Tourism Tours — The Portuguese capital sees millions of people visit a year, against a backdrop of political turbulence and a housing crisis fuelled by short term holiday lets. Jack Burke meets the crew subverting their city’s perception, while bringing lesser seen stories and monuments to light.
Written by: Jack Burke
The art of paying attention: How Austria’s Alps reward slowing down
Lebensgefühl — With a growing movement of art and music rooted in the area’s mountains, trees and waterfalls, the region is showcasing the importance of the human relationship to nature.
Written by: Sophie Lou Wilson
Inside Parkuir: the art project queering sport, space and our bodies
Lie and play — Founded by Maria Laudes and Guiu Gimeno, it provides a framework for engaging, subverting, and celebrating the small details that make people unique – and queer.
Written by: Molly Lipson
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
