Capturing life on a Bristol estate, where women rule
- Text by Niall Flynn
- Photography by Tommy Sussex
The Knowle West estate is a neighbourhood of around 12,000 residents, situated at the top of a hill that overlooks the south side of Bristol.
Created in the 1930s following slum clearance in the city centre, it exists as an in-between of sorts, where dense housing meets vast agricultural land. At its highest point, you can gaze over Bristol in its entirety.
Back in 2015, photographer Tommy Sussex began visiting the estate with the aim of documenting its story. Intrigued by its unique, geographical makeup – as well as the strong, identity of its residents – he soon found himself making regular trips, getting lost in its various back routes, alleys and side streets.
Quickly, it became apparent to Sussex that while Bristol was constantly changing, Knowle West was – like numerous other parts of cities across the UK – finding itself left behind. “Many residents suffered from ineffective public transport and felt trapped,” he recalls.

“[They] questioned the funding that was being put into the area and felt that other obvious aspects of the community were being ignored and needed further investment. I heard the phrase ‘on tap, not on top’ regarding government funding a handful of times.”
The result of Sussex’s journeys to and from the estate form What Takes Hold, a collection of images that capture the area’s distinctive character. While the looming spectre of gentrification haunts the project, rather than make this the centrepiece, Sussex instead turns his lens towards the spirit of the Knowle West residents: a close-knit group of people who care about their community – and are intent on protecting it.
In particular, Sussex became fascinated by Knowle West’s notorious matriarchal network, made up of heads of families, community leaders and colourful, outspoken women that were, as he terms it, “running the show”.
“One evening, I spent time playing bingo at Nover’s Social Club. The ladies sat in the main room catching up telling jokes and socialising, while the men sat in the bar next door drinking cider. These women were far from shy. Some of the jokes were too blue even for me – and I’m not prudish!”
Placing candid portraits alongside sweeping shots of the estate’s blend of both the urban and pastoral, What Takes Hold is an entangled portrait of the Bristol area. For Sussex, it’s a place he’s come to hold dear: a warm and welcoming community, full of figures unashamedly proud of where they’re from.




Tommy Sussex is currently curating this week’s edition of the 71a Instagram Takeover. See more of his work here.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
In the pit at one of the UK’s last stock car & banger speedways
Stock Car Racing Isn’t Dead — Photographer Liam McCarthy spent time in and around the Arlington Raceway’s circuit, capturing the diehard community that keeps the sport alive.
Written by: Isaac Muk
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson