Dystopian shots that confront our fears about the future
- Text by Niall Flynn
- Photography by Tony Fouhse
In After The Fact, Tony Fouhse confronts the idea that the future is already here.
Combining portraits, tableaux and landscape shots, the Canadian photographer captures the dread that lurks under the surface of everyday life.
Be it the changing climate, dark politics or the idea of global societal regression, the project – which began in 2016 – suggests that our greatest fears regarding what comes next may have already happened.
“I wanted to use present ‘reality’ to show that aspects of some possible – or probable – future already exist, if only we could see or interpret them,” he tells Huck. “And I wanted to use the camera to plumb the liminal spaces that exist between fact and fiction.”
“The working title was The Future, but after a year or so of shooting and looking at what I was doing I decided that that title was too proscriptive. I changed the title to After the Fact, which seems more open-ended.”
Together, the photos – which are set to appear in a book launched at the end of September, 2018 – construct a dystopian landscape that feels distant and alien, all while retaining elements of the recognisable and everyday.
For Fouhse, who presents the work as a “narrative arc”, it’s about facing up to the uncertainty of the present: some things are changing, while others – for better, or worse – have already changed.
“When I began this project in the September of 2016, the future I was envisioning seemed possible. Now, in the summer of 2018, it would appear that events have overtaken the possible future I had imagined.”
“I think that we have moved past whatever fact the work asked its viewers to imagine, we no longer have to imagine, it’s there, right in front of us. So it seems to me I have predicted the present and that After the Fact isn’t some prognostication, it’s the news.”
See more of Tony Fouhse ’s work on his official website.
