Toronto art rockers Absolutely Free share their influences and inspirations

Things That Inspire Me — Bollywood soundtracks and satirical sculptor Maurizio Cattelan help inspire Absolutely Free’s spectacular live shows.

Toronto three-piece Absolutely Free’s live shows are hard to forget. They took their audience on an immersive-theatre-style journey through Toronto’s Kensington Market district for the release of debut single ‘UFO’, performed live during a night-swim session at a local pool and regularly collaborate with visual artists to add something special and unexpected to each gig.

Before their month-long European tour kicks off in February, we spoke to drummer/singer Matt King to find out what inspires Absolutely Free’s songwriting and spectacular antics.

Contemporary Art

2723710342_19dbe884e9

Claes Oldenburg – Free Stamp 01

I’m a formally trained visual artist, and contemporary art theory informs so much of what I do with Absolutely Free. The work of Claes Oldenburg and Bruce Nauman were really pivotal to my understanding of art, language and culture. As a band, we are really interested in collaborating with visual artists for our record covers, music videos and live shows. Our three record covers involved collaborations with artists or photographers we admire: Linzi Bugeja, Jay Shuster, Petrina Ng, and David Hanes. We’ve also played shows in art galleries, such as Mercer Union (an amazing artist-run centre in Toronto) and the Art Gallery of Ontario.

Bruce Nauman -100 Live and Die

Bruce Nauman – 100 Live and Die

New York Hypnotic School

Recently, we’ve been re-listening to Terry Riley and Steve Reich and have been really influenced by ideas of layering melodic polyrhythms. We are excited by creating music that is dense and complex, but simultaneously remains minimal in form. We’ve always been musicians, but with Absolutely Free, we are also taking up new roles as composers as well. We recently re-scored a selection of films by Norman McLaren, who was a Canadian pioneer of experimental animation in the 1960s. It was a commissioned project for the Toronto International Film Festival.

Richard Brautigan

Moshe brought a copy of Richard Brautigan’s Trout Fishing in America on our first European tour. His use of humour to describe things that were tragic or serious greatly influences the content and tone of our lyrics. Our lyrics often use personal narrative to discuss larger issues.

Maurizio Cattelan

unnamed-2

Maurizio Cattelan – All, Solomon R. Guggenheim Museum

One of my favourite sculptors. His work also blends humour and bleakness in unexpected ways. At his retrospective at the Guggenheim in New York, he hung all of his previous work from the ceiling of the rotunda, completely re-inventing its context and form. We try to be aware of the context our music exists in, and are interested in taking recognisable forms of popular music and playing with, or subverting, those forms.

Film Soundtracks

Alongside collaborating with visual artists, we also love collaborating with filmmakers. I love Bollywood soundtracks from the 1960s and 1970s. I once found twenty Bollywood records for a dollar each in a charity shop in the suburb I grew up in, which sparked my interest in non-western music. Moshe has been listening to John Carpenter’s soundtracks as part of our research for a feature film, called Two Cares Due None, that we are currently composing the score for.

Catch Absolutely Free on tour in the UK and Europe throughout February. Their self-titled debut album is out now on Lefse Records.


Ad

Latest on Huck

Focus on humanising people. Text over a bright green background with a faint image of a person's face.
Activism

Plestia Alaqad: “Journalists should focus on humanising people”

Huck’s April interview — Having become one of the most crucial and followed voices from inside Gaza in the aftermath of October 7, the award-winning author and journalist is releasing a new memoir, ‘The Eyes of Gaza’, collating diary entries made over the past 18 months. We caught up with her to hear more about it.

Written by: Isaac Muk

Vans

The instrument makers taking DIY music to a whole new level

What does it take to construct a modular synth? How do you turn a block of wood into a double bass? Here, four craftspeople explain why they chose to rip up the rulebooks and build their own music-making machines.

Written by: Daniel Dylan Wray

Energetic music performance on stage with colourful lighting, smoke and audience.
Culture

Southbank Centre reveals new series dedicated to East and Southeast Asian arts

ESEA Encounters — Taking place between 17-20 July, there will be a live concert from YMO’s Haruomi Hosono, as well as discussions around Asian literature, stage productions, and a pop-up Japanese Yokimono summer market.

Written by: Zahra Onsori

Two people in colourful costume against a vibrant pink background.
Culture

In 1971, Pink Narcissus redefined queer eroticism

Camp classic — A new restoration of James Bidgood’s cult film is showing in US theatres this spring. We revisit its boundary pushing aesthetics, as well as its enduring legacy.

Written by: Miss Rosen

Crowd gathered around outdoor fire on night, silhouetted figures, flaming objects visible.
Music

As amapiano goes global, where does it leave its roots?

Rainbow grooves — Over the past decade, the house music subgenre has exploded into a worldwide phenomenon. Jak Hutchcraft went to its birthplace of Mamelodi, South Africa, to explore its still-thriving local scene.

Written by: Jak Hutchcraft

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.