Tracing British football’s vibrant aesthetic history
- Text by Niall Flynn
When Matthew Caldwell was finally given the green light to access his father’s prized Aston Villa programme collection, he wasted no time getting stuck in.
For the past 50 years, Caldwell Snr has been a stalwart at Villa’s home fixtures, religiously collecting every single one of the club’s matchday programmes in the process. Stored in his study, each of them remained pristinely organised and ordered chronologically, placed in a selection of claret-coloured boxes, well away from prying hands.
It was only recently that Matthew – a designer by trade – was finally granted permission to look through the extensive archive. As he found himself gleefully flicking through half a century’s worth of matchday memorabilia, he quickly began to realise why they were so special to his dad.
“The goals that these programmes must have witnessed, the swearing they must have heard!” he recalls. “I saw that a wonderful moment in time had been effortlessly captured by these little pieces of cheap, stapled paper. So, I decided to begin collecting myself.”
While his father’s stacks were dedicated solely to The Villa, Caldwell adopted an all-encompassing approach to his curation, seeking out classic programmes from as many different English clubs as possible. Today, the personal project – showcased on Instagram under the title 1 Shilling (1/-) – operates as a technicolour history of British football, harking back to a humbler time in the game’s history.
“They reflect an era in football that many people would love to get back to,” Caldwell adds. “A time when players earned the same as the fans and when a programme cost the same price as match day tickets.”
“Football was once a much simpler game, played on bedraggled pitches by working-class heroes and watched by the surrounding communities whose greatest escape from the stresses of life was watching football. Besides, who doesn’t love seeing a black and white advert for a 1972 Bruce Forsyth hosted, post-match dance in Luton?”
On top of that, the aesthetic qualities of the old programmes – vibrant colours, adventurous design – strike a chord with Caldwell on a creative level, too. During a time when football was still free from the clutches of major corporate influence, designers were given more freedom to express themselves in the weekly prints. Be it Villa, Port Vale, Derby County or Luton Town, 1 Shilling (1/-) is a celebration of when the beautiful game was even better looking.
“When I once asked my dad directly why he’d started his archive, he replied, ‘well… what else was I supposed to do with them?’ I suppose once he started, he couldn’t stop. It’s a bit like with supporting Villa.”
See more of 1 Shilling (1/-) on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk
When David Wojnarowicz became Arthur Rimbaud
Arthur Rimbaud in New York — In 1978, the American artist and his friends donned masks to pay tribute to the French poet, who was born a century before him. Miss Rosen traces the differing yet parallel lives of the queer revolutionaries.
Written by: Miss Rosen
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
