Is this the trippiest skateboarding music video ever? | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Is this the trippiest skateboarding music video ever?

  • Text by HUCK HQ
Joywave "Somebody New"

Joywave "Somebody New"

skate and/or die http://smarturl.it/jwa1 http://threefootgiant.com

vimeo.com
Skateboarding meets CGI - and it’s not shit — Joywave’s surreal new music video for ‘Somebody New’ breaks the golden rule that skateboarding and special effects should not mix.

When skateboarding meets special effects, it’s usually cringe-making.

Shredding already looks great on film – there’s no need to crank the “cheesy epicness” dial all the way to 11 with some cruddy CGI.

But Rochester band Joywave have thrown out the rulebook with their awesomely surreal video for ‘Somebody New’, shot by Keith Schofield.

Perhaps it works because it’s clearly so tongue-in-cheek. “We wanted to look like we were great at some physical activity, so CGI was the only option,” the band told Stereogum. “For the first time, we had the means to create an alternate universe in which we were actually good at something.”


You might like

© Cheyenne Clementi & Valentina Morandi
Music

Grainy, yearning memories of Europe’s ’90s free rave heyday

Never Alone — A new photobook from Cheyenne Clementi and Valentina Morandi presents pictures they made over seven years while touring the continent as part of the Tekno Mobil Squad soundsystem crew. It archives parties, people and a lifestyle largely consigned to the past.

Written by: Isaac Muk

Music

As Hanoi’s nightlife faces raids & repression, its underground scene modulates

Spaces Between the Beats — Tensions between nightlife and authorities have grown in recent times, as police target venues and their patrons with increasingly frequent drug testing and searches. With clubs becoming hostile spaces as a result, Hanoi’s electronic music community is finding new spaces and forms of expression, reports Martin Guttridge-Hewitt.

Written by: Martin Guttridge-Hewitt

© Alexa Viscius
Music

American Football: The One With The Feelings

Many moons — The Midwest emo architects transformed a college experiment into a coming-of-age soundtrack. 25 years on, their latest iteration sees them bottle the same magic for the ups and downs of middle life.

Written by: Tracy Kawalik

Music

Joe James: “I will never be absent in my children’s lives because I know it doesn’t feel nice”

Hard Feelings — As the silky MC prepares to release his debut album ‘The Ends Never Ends’, he joins our column on fatherhood and masculinity to discuss leaving his childhood home at 16, the manosphere and his risk-embracing approach to life.

Written by: Robert Kazandjian

Music

Analogue Appreciation: mary in the junkyard

Role Model Hermit — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s art rock fabulists mary in the junkyard.

Written by: mary in the junkyard

Music

Kibo’s compendium of Kwengletarianism

Kwengletaria:Ragamyff — As UK rap’s latest prodigious MC announces his most ambitious project to date, Rob Kazandjian spends time with Kibo in a north London pub to chat about his rise, as well as the inspirations and ideologies underpinning his music.

Written by: Robert Kazandjian

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.