Uplifting, intimate portraits of young British Chinese men

Naomi Wong’s 後生仔 (‘young man’) highlights some of the daily conflicts that many British Chinese men face while navigating life in the UK.

When pho­tog­ra­ph­er Nao­mi Wong was a child, her fam­i­ly moved from Hong Kong to a small mar­ket town called New Rom­ney, set just off the south­east coast of Kent. There, while her moth­er worked in her uncle’s Chi­nese take­away, she and her cousins would play around the counter and hang out by the woks. My mum and my oth­er aun­tie also worked with my uncle,” Wong recalls. And she had loads of boys, so I was raised along­side my boy cousins. We would always spend so much time togeth­er and they would always look after me.”

When she was a teenag­er Wong moved to Scun­thor­pe with her moth­er, los­ing that close­ness to her extend­ed fam­i­ly. As she grew more aware of the world around her and her place in it, she realised that as a Chi­nese per­son, there wasn’t a lot of space for peo­ple who looked like her or her cousins in the wider cul­ture, nor was there much representation.

It’s iso­lat­ing – it was just me and one oth­er Chi­nese kid in our school and I didn’t have any friends that were Chi­nese until I was 13,” she says. I remem­ber being with my mum, and we would rent VHS tapes and watch TV togeth­er, and every time there was a minor East Asian char­ac­ter in the back­ground my mum would get real­ly excit­ed by that.”

Wong’s soon-to-be print­ed pho­to­book, 後生仔, trans­lat­ed to mean young man’, is her way of fill­ing that cul­tur­al gap she found her­self in. Build­ing on the mem­o­ry of those years spent with her male cousins and spurred on by an old pho­to­graph she found in a skip of her father in Brighton in the 80s, she decid­ed to cre­ate a project that spot­lights and uplifts Chi­nese male youth liv­ing in the UK.

Chi­nese men don’t real­ly get rep­re­sent­ed in British cul­ture,” she explains. I can’t think of a film or a TV show where there’s a Chi­nese char­ac­ter and I can’t think of many pub­lic fig­ures – there are maybe some actors now but it was not the case when I was grow­ing up. But when they were rep­re­sent­ed it was a bit prob­lem­at­ic – they were not [por­trayed] as very mas­cu­line or it was a bit of a joke.”

Through­out the process of cre­at­ing the book, Wong pho­tographed and inter­viewed a dozen young British Chi­nese men, often with­in the sanc­tu­ar­ies of their own homes. The book, cap­tured with warmth and inti­ma­cy, dives into their sto­ries and high­lights the diver­si­ty of their expe­ri­ences. There’s Tai from Bed­ford­shire, whose father also ran a Chi­nese take­away, who now uses food to con­nect with his her­itage and cul­ture, along­side foot­ball fanat­ic Jun Chan from Bar­ry, South Wales, who is a mem­ber of East and South East Asian (ESEA) foot­ball com­mu­ni­ty Rise Unit­ed.

I real­ly want­ed to pho­to­graph some­one who’s into foot­ball, because of the con­nec­tion to my dad,” Wong says. He used to play foot­ball and real­ly loved it, but there’s actu­al­ly loads of Chi­nese foot­ball fans in Eng­land that are not rep­re­sent­ed in the foot­ball cul­ture – I remem­ber my uncle would be obses­sive­ly watch­ing foot­ball all the time in the takeaway.”

Her work also high­lights some of the dai­ly con­flicts that many British Chi­nese men face while nav­i­gat­ing life in the UK. From feel­ings of dis­place­ment to nav­i­gat­ing com­plex famil­ial sit­u­a­tions. Some of my friends who I pho­to­graph are gay and can’t come out,” she says. They’ve had dis­cus­sions with their par­ents and hint­ed things like: I have a friend who I’ve been spend­ing a lot of time with,’ but they can’t say that they’re their part­ner – there are a lot of very tra­di­tion­al pressures.”

But her book ulti­mate­ly gives her sit­ters space to just be and express them­selves com­fort­ably. Things are def­i­nite­ly a lot more pos­i­tive com­pared to what I saw and wit­nessed as a kid –there’s a long way to go, British Chi­nese men are still under­rep­re­sent­ed, but things are chang­ing,” she con­tin­ues. 後生仔, is a love let­ter and it’s a trib­ute to all the British Chi­nese men, all the peo­ple I grew up with and my dad as well. It’s real­ly nice to be shin­ing a light on their sto­ries and to be able to pho­to­graph them all look­ing very beautiful.”

後生仔 is avail­able to pre-order at Nao­mi Wong’s offi­cial web­site

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