Video: The hilarious 1960s anti-porn film that links smutty mags to child murder
- Text by Adam White
“They’ve found a girl’s body in the woods.” “Murder?” “Sex fiend!”
Pages of Death is a Reefer Madness-style ‘anti-pornography’ short film warning ’60s parents of the dangers of adult magazines. It has just been rescued from oblivion by the Oregon Historical Society. The film was produced by the Hour of St. Francis radio program in Cincinnati, Ohio in 1962, and distributed by the Citizens for Decent Literature group – a pro-censorship league affiliated with the infamous Roman Catholic anti-pornography campaigner Charles Keating.
Pages of Death tells the story of two hard-boiled noir detectives investigating the disappearance of poor little 12-year-old Karen Fleming, who has failed to come home from school. Her parents, glitzy upper-middle-class WASPs, are understandably panicked. Their investigation leads them to the local corner shop, where its sleazy proprietor (played by Kelsey Grammer’s deformed twin) has been peddling smut rags to impressionable young men.
One such youngster is dead-eyed wet rag Paul Halliday, who has been spending a little too much time in his, ahem, recreation room out back. Faster than you can say “sick masturbatory sex den”, the detectives raid Paul’s bachelor pad and think they’ve pegged their prime suspect. Hidden in his drawers are such serial-killer-in-training titles as Scorching Sex Stories, Night of Horrors, and Gals!
“But no!” Paul’s appalled parents protest, pornographic magazines are the kinds of things found on “skid row”, not in leafy white bread suburbia. Wrong, one of the cops insists. This kind of trash is being sold at your friendly, local neighbourhood store.
Pages of Death is a must-watch – an eye-opening time capsule of a period in culture where the female orgasm didn’t exist, Rock Hudson was straight, and rampant censorship was the only way to tackle murderous violence. Sit enraptured as it builds to the wholesome, family-friendly message that it’s all Penthouse‘s fault that the preppy weirdo horribly murdered the little girl and tossed her body in a dumpster.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White