Why I shred: The creative power of destruction
- Text by Rudy O'Brien
Cara Mills was staring down a deadline when a flash of inspiration struck. With her art degree at London’s Central Saint Martin’s coming to an end, pressure was building to let people see her work – the first significant opportunity for any young artist.
The only problem was that Cara’s imagination teemed with ideas. She’d dart between creative avenues: getting excited by some, growing bored with others, but never quite sure which one to pursue and which one to leave behind.
So instead of committing to one idea half-heartedly, she decided to make a work of art about the entire process: an artist’s journey between thinking and making.

After documenting every idea she had, Cara fed them all into a giant machine which methodically rated and then shredded each one – spitting them out like a shower of snowflakes.
The five-foot pile of plans that amassed at her feet effectively democratised Cara’s creativity. Reduced to little pieces, all ideas had become equal: the good and the bad, the practical and the unfeasible, the polished and the incomplete.
“I feel like I’ve created an ecosystem where I’ve turned my digital ideas into something tangible, which are then put back onto the online platform for other artists to be inspired by,” says Cara.

The shredding machine is a form of auto-destructive art: drawing from the concept that something can be destructive as well as creative.
At a time when our attention spans are being bombarded, when even a fertile imagination can feel overwhelmed or stumped, Cara’s work serves as a reminder that there are endless opportunities to hit the creative ‘reset’ button and start again.
Watch part 1 of Heightened Senses.
Canvas is a channel funded by the Arts Council dedicated to inspire young people through the arts. Find out more.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Inside Parkuir: the art project queering sport, space and our bodies
Lie and play — Founded by Maria Laudes and Guiu Gimeno, it provides a framework for engaging, subverting, and celebrating the small details that make people unique – and queer.
Written by: Molly Lipson
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson