A love letter to the world, written with photographs
- Text by Miss Rosen
- Photography by Rebecca Norris Webb and Alex Webb
Over a period of 30 years, Magnum photographer Alex Webb and poet and photographer Rebecca Norris Webb have traveled the earth, capturing the mystical moments of life on film. Whether visiting London or Istanbul, Paris or Tijuana, the images they create speak to each other in a language that goes beyond words – creating harmonies, melodies, and rhythms all their own.
What began as a friendship blossomed into love and marriage, as well as books: most recently a volume titled Slant Rhymes (La Fabrica). A love poem to photography, to the world, and to relationships themselves as it reveals a powerful energy that exists when we are fully present in the moment. The book is organised in diptychs, with one photograph from each photographer facing the other in silent conversation.
“Rebecca and I first realised that our photographs talked to one another in intriguing ways with our initial collaboration, Violet Isle, a book on Cuba. We discovered that our photographs often visually rhyme, but, more often than not, at a slant,” Alex reveals. “With Slant Rhymes, our paired photographs are not necessarily linked by geography, but by other things as well. Sometimes it’s a palette, geometry, or the evocation of a mood. Other times it’s a shared sense of surrealism.”

Brooklyn, New York, USA. © Rebecca Norris Webb from Slant Rhymes.

Appuzha, India. © Alex Webb from Slant Rhymes.
This sublime sensibility is echoed in Rebecca’s verse, which appears throughout the book, giving voice to unspoken beauty and evokes the inherent mystery and magic of love and life.
“Over the years, I’ve learned to have faith in working deeply and intuitively,” Rebecca explains. “This involves looking and listening closely to a particular landscape in all its shifts of light and weathers and seasons in order to respond spontaneously with a camera. Even though I’m quite shy by nature, if I come across someone that intrigues me for some reason – whether I’m in Brooklyn or in Havana or in rural Indiana – I’ve learned to listen and to trust that instinct.”
By distilling the deeper energies of the people, animals, and the landscape, Alex and Rebecca have created bodies of work that reveal a connection between souls to each other, as well as in tune with the world itself.

Arcahaie, Haiti. © Alex Webb from Slant Rhymes.

Stained Glass. Missouri River, South Dakota, 2006. Rebecca Norris Webb
“A place has its own atmosphere, its own rhythms, its own nuances. The complex layering and neon lights of the streets of Istanbul has resulted in one kind of photograph for me; the sun-drenched streets of Mexico another,” Alex observes. “What I find most exciting about wandering the various streets of the world is encountering the unexpected, the surprising, the enigmatic; that which is more fantastical than that which I can imagine. This to me is one of photography’s bounties: the surprise of being there.”
That sense of presence is felt in every photograph, diptych, and poem to grace the book, sharing a reverence for existence in any form it may take. Slant Rhymes gently reminds us that we do not inherit the planet but rather preserve it for our progeny.

Brooklyn, New York, USA. © Alex Webb from Slant Rhymes.

Istanbul, Turkey. © Alex Webb from Slant Rhymes.

Wind Cave National Park, South Dakota, USA. © Rebecca Norris Webb from Slant Rhymes.

Kochi, India. © Alex Webb from Slant Rhymes.

Tehunatepec, Mexico. © Alex Webb from Slant Rhymes.

Huataja, Bolivia. . © Alex Webb from Slant Rhymes.

West Texas, USA. © Alex Webb from Slant Rhymes.
Slant Rhymes is available now on La Fabrica.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
The quiet, introspective delight of Finland’s car cruising scene
Pilluralli — In the country’s small towns and rural areas, young people meet up to drive and hang out with their friends. Jussi Puikkonen spent five years photographing its idiosyncratic pace.
Written by: Josh Jones