Yasiin Bey, aka Mos Def, announces retirement in freestyle rap message
- Text by Adam White
- Photography by Mika Väisänen
the artist formerly known as Mos Def, has announced his retirement from the entertainment industry. In a ten-minute audio message posted on the official site of his regular collaborator Kanye West, Bey freestyles about his recent legal troubles and his future plans.
It’s been an unusual couple of weeks for the artist, who was arrested while trying to leave his adopted home of Cape Town using a ‘world passport.’ Cape Town authorities declined to accept the passport, a controversial form of I.D. largely unrecognised by most major countries, and favoured by the likes of Julian Assange and Edward Snowden. The authorities have also accused Bey and his family of living in the country on expired tourist visas, and have demanded they immediately leave, along with threatening a potential ban from the country for five years.
Bey uses the audio recording to freestyle a rap protesting his innocence, reciting “I’ve committed no crime, any place / Why these police up in my face? / Why they raiding my place? / Why don’t I feel safe? / This is not an expression of fear / This is just to make things clear.”
After namechecking tracks from Kanye West’s new LP, he then defends his passport and criticises the Cape Town authorities for making false and unlawful statements against him and his family. He also states his suspicions that “political motivations” were behind his detainment.
He then goes on to announce his “…retirement from the music recording industry as it is currently assembled today, and also from Hollywood effective immediately.” He continues, “I will be releasing my final album this year, and that’s that. Peace to all, fear of none, thank everyone for their time. Much success to you, even if you wish me the opposite, as Nas said. I’m on the side of the right, so people can wish all they want.”
News of Bey’s retirement is a bummer, but it really ought to come prefaced with use of the word ‘alleged’. In an age of LCD Soundsystem reunions and endless farewell tours for seasoned divas like Barbra Streisand, you never can be sure. Hell, remember when Jay-Z was planning an early exit after 2003’s Black Album? We all know how that went.
Listen to the full audio at KanyeWest.com
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White