HUCK pays a visit to Jack’s solar-powered Casa Verde, in Los Angeles, to speak about climate change, politics and the beauty of doing things your own way.
In the first instalment of Creator Stories, Alla Chiara Luzztelli lifts the lid on her multi-disciplinary approach to documentation.
We catch up with the co-founder and creative director of FoamLife to talk inspiration and independence.
A new series from 99designs by Vistaprint and Huck publisher TCO London gives the British high street a fresh burst of colour.
The novelist discusses his electrifying debut, which offers a deft examination of masculinity under late capitalism.
The author talks to writer James Greig about her debut novel – a sharply-observed satire meets horror about the modern-day trans experience and the insidious creep of fascism.
Author Adam Zmith discusses his new book tracing the history of poppers and the drug’s role in forging a greater queer future.
The release of Netflix’s Palestinian film collection is worth celebrating, but the behemoth should go further in its support.
Director Theo Anthony discusses his latest film, which investigates the shared history of cameras, weapons, policing and justice.
Director Jonas Poher Rasmussen discusses his new documentary, which tells the remarkable story of a gay Afghan survivor.
The photographer reflects on building trust with his subjects and using the street as his studio.
Photographer Yan Morvan revisits a radical moment in history, which saw the emergence of a fiercely-rebellious spirit among the UK‘s youth.
Photographer Melanie Nissen recalls capturing the characters, fashions and rarefied chaos of a rapidly-expanding set of punk bands who helped to redefine the genre.
Mike Fordham speaks to two of Malibu surf culture's greatest exports, Jamie Brisick and Trace Marshall.
In the latest episode of Joining the Dots, we speak to former Guardian columnist and US correspondent Gary Younge.
In the latest episode of Joining the Dots, we bring together Nick Waplington with IDLES frontman Joe Talbot.
It’s been one hell of a year. Join us for Huck 76 as we celebrate a remarkable 12 months for Ghetts – and loads more.
To celebrate its fifth birthday this month, Polyester is releasing four special-edition zines focused on beauty, masculinity and reproductive rights.
This issue is all about celebrating strength in the face of adversity – sharing stories of defiance in a world falling apart.
The Manchester-based clothing company are industry outsiders and proud. We caught up with their co-founder to learn more about the mission.
As shipments get cancelled and factories shut down, the global pandemic has caused chaos for millions of garment workers across the Global South.
A new photography exhibition explores how footwear became the ultimate status symbol of the modern era.
While police claim that body cams increase accountability, the proliferation of the tech raises questions over who it really serves.
Director Shalini Kantayya discusses her new film shedding light on the urgent threats machine learning poses to individual freedoms and democracy, and what society must do to combat these sinister technologies.
After being kicked off Reddit, femcels are the latest banned community to build their own platform. They claim to just want somewhere to speak free from harassment – but some experts question whether the site will descend into toxicity.
The playwright disrupted the comfort of middle-class audiences, presenting a world that was violent, surreal and cruel.
We talk to writer Willy Hudson about his play Bottom – a raucous journey through contemporary queer life in London.
Forced Entertainment is a radical, Sheffield-based company that has spent 34 years dismantling everything we thought we knew about performance.
Michaela Coel’s show has been widely praised for its bold portrayals of race, sexual assault, homophobia and survival. So what makes it so groundbreaking?
The show was one of the few important documents of life in modern Britain. So why did Channel 4 cancel it?
Charlie Brooker and Annabel Jones have mastered the art of depicting society at its most anxiety-inducing. But when it comes to the future, the pair aren’t ready to panic just yet.