Contributions from Samuel White | Huck
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Samuel White

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Is Field Maneuvers the most fun time ever? Yes probably

Collective joy — Huck’s art director Samuel White went to the 2026 edition, braving a wet start and interviewing FLINTA* collective and arm wrestling legends Uhaul Dyke Rescue in the process.

  • Music
  • Samuel White

Sepia splashed memories of Britain’s ’90s squatting and free party scene

Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.

  • Culture
  • Samuel White

Why is the Met Police using EsDeeKid for ‘copaganda’?

Slop Enforcement — Among the AI slop and ragebait of late-stage social media, newsletter columnist Emma Garland has noticed a jarring trend – London’s police force appropriating criminalised subcultures for engagement purposes.

  • Culture
  • Emma Garland

Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are

No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?

  • Culture
  • Emma Garland
Digital collage with neon yellow text "2026: THE 'SURE, WHY NOT' OF YEARS" on dark background, surrounded by bright green and orange outlined images of people, planes, and objects.

Remembering 2025: The ‘Sure, Why Not’ of Years

Huck’s year end wrap-up — From Gen Z uprisings and Katy Perry becoming an astronaut, to the growing omnipresence of AI, the past 12 months have been weird and endlessly revolving. Newsletter columnist Emma Garland attempts to make sense of it all. 

  • Culture
  • Emma Garland
Three musicians performing on stage in dramatic lighting - guitarist on left, vocalist at centre microphone, drummer on right with cymbals visible.

As music journalism marches towards oblivion, a plea for salvation

We Gotta Get Through This — On reaching 25 years of the independent music blog and online community Drowned in Sound, site founder, label boss, and manager of artists such as Charlotte Church, Sean Adams, explores how music journalism is still limping, and why setting up The Association of Music Editors is an attempt to liberate it from corporate tyranny and neglect.

  • Huck 82: The Music Issue
  • Sean Adams

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