Take a look inside the new exhibition and book spotlighting half a century of sartorial innovation that erased the distinction between the street and the stage.
In 1976, Mary Ellen Mark was given unique access to Oregon State Hospital to photograph life on the high security Ward 81, creating a nuanced and compassionate portrayal of female mental health patients.
Photographer Andrea Gjestvang documents the changing face of masculinity in a territory built on traditional gender roles, but whose women are emigrating in large numbers.
Between 1998 and 2010, Simon Wheatley rode the old Silverlink line across London's northern inner-suburbs, capturing their cultural diversity and stark inequalities up close.
Believing the media’s representation of the Haight-Ashbury district during the hippie movement to be exaggerated and overly negative, Elaine Mayes sought to photograph the true face of counterculture in the 1960s.