Take a look inside the new exhibition and book spotlighting half a century of sartorial innovation that erased the distinction between the street and the stage.
Believing the media’s representation of the Haight-Ashbury district during the hippie movement to be exaggerated and overly negative, Elaine Mayes sought to photograph the true face of counterculture in the 1960s.
Photographer Andrea Gjestvang documents the changing face of masculinity in a territory built on traditional gender roles, but whose women are emigrating in large numbers.
