Shahla Yasini is leading a surf revolution in Iran
- Text by Giulia Frigieri
- Photography by Giulia Frigieri
Ramin is a small village in the extreme south of Iran, located just a few miles away from the city of Chabahar. The region, known as Baluchestan, is the most remote in the country, and is known for its widespread levels of social deprivation. It’s here though, and here alone, that Iran currently offers a place with the potential to surf.
After arriving from Tehran, the desert scenes of Ramin are breathtaking. I’ve arranged to meet Shahla Yasini here, the first Iranian woman to have surfed in Iran. We meet in a taxi, both shy and hesitant. It was only a few weeks ago that I reached out to her on Instagram. Shahla offers me a cigarette. I tell her I’d been told it didn’t look good for an Iranian woman to smoke in a public spaces. She laughs at my clumsy comment, our timidness immediately falls away.
The night is quiet and warm when we reach the beach of Ramin. Shahla tells me about her strong connection to water, especially to the Indian Ocean, and about how that passion had prompted her to become a diver and lifeguard. Still, she could have never anticipated that in 2013 >pro Irish Surfer Easkey Britton would extend an invitation to Shahla to be part of the first women’s team to surf in that same Indian Ocean.
Partnered with another Iranian female athlete (Mona Seraji) , Shahla and Easeky managed to find the perfect surfing spot here off the beach of Ramin, a stretch of sea near a harbour with waves good enough for surfing throughout the summer. At the time, they didn’t know they were about to make history for Iranian women. Considering the proximity to the border of Pakistan and the ethnic and social instability of this region, no one had ever explored Baluchestan so deeply to discover a spot for surfing before Easkey, Shahla tells me.
Shams Fuladi was born and raised in Ramin, one of those local guys who back in 2013 was introduced to surfing thanks to Easkey, Shahla and Mona. Tonight, as we’re stood on the beach with only moonlight to see, he comes closer with his motorbike, shining his headlight at us before giving Shahla a hug.
After grabbing the attention of the local communities, the women athletes started teaching surf to the boys from the local villages, pioneering a new trend among the youngsters. Since then, a new community of young Iranians have been populating the place: organising events, encouraging foreign guests to take to the waves, while searching for sponsors to donate equipment that might help sustain the ‘Makran Moj’ surfing site.
I decide to stick around for a while. Over the next few weeks, we’ll go to Ramin beach every single day. It’s September, and the wave season is almost coming to an end, however neither Shahla nor the local boys are missing a day of practice. I find myself in a limbo, witnessing one of the incredible paradoxes of Iran entangled between modernity and tradition. I find my attention shifting from boys holding surfboards and walking on the shore to local Baluchi families dining on the beach.
There are men smoking shisha and people praying at different times throughout the day. There are local women on Ramin beach too, but they are wrapped in their black chador, holding the hands of their children and waiting for the men to finish swimming in the sea.
One day Shahla tells me how sports in Iran are generally open to women, as long as their bodies are fully covered and their hair is not visible. The lack of sportswear suitable for Muslim women in water sports is, according to Shahla, one of the many challenges athletes like her face.
“The lack of freedom in movement prevents women from moving quickly and feeling comfortable in the water,” Shahla tells me. “It’s also further distancing other women who are not used to sports, stopping them taking their chance to get close to water. Moreover, a very male dominated mentality is the greatest obstacle , especially here in Baluchestan. Myself and the other women involved in the surfing movement have to face and fight against.”
“Baluchi women are still kept secret, away from the beach most of the time, married to the household and without any chance to wish for a different perspective.”
Abed Fuladi, one of Sham’s older brothers, has been part of the surfing community here since its inception. “It will take time, decades perhaps, before Baluchestan gets accustomed to new trends and ideas,” he says. “I do think surfing has already made big steps, and the future of Ramin looks rather positive and hopeful.”
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Celebrating the art of making out on tour with Tove Lo
The Kiss Book — In the wake of the pandemic, photographer Kenny Laubbacher travelled around several countries with the Swedish pop star, capturing the joy and desire of kissing fans.
Written by: Zoe Whitfield
Vintage photos of London street life at the turn of the millennium
London 1995-2005 — In her new photobook, Joan Piekny reflects on a decade shooting the styles and subcultures of the UK capital’s streets, just before technology .
Written by: Miss Rosen
Princess Julia: “I always state my age as I can’t believe I’m still around”
First lady — As the latest Artist-In-Residence of Huck 83, the London nightlife legend speaks to Josh Jones and provides a few recommendations and words of wisdom.
Written by: Josh Jones
Moshpits & kickflips at the Volcom Garden Experience 2026
Family affair — Last weekend, the skate, surf and snow culture brand hosted a free mini festival in its European backyard of Biarritz. We went along and chatted to legendary artist and surfer Ozzie Wright.
Written by: Isaac Muk
As the Cornwall & Devon coastline gentrifies, what’s left at UK surfing’s spiritual home?
Priced out – Once belonging to anyone willing to be cold and thrown around underwater, the sport is becoming increasingly inaccessible, as second homes and commodification reshape England’s southwestern shores.
Written by: Noah Petersons
A luminous portrait of Black life over six decades
Shared Memories — As staff photographer for The New York Times, Chester Higgins captured Black culture and spiritual connection like no other. A new exhibition celebrates his life and impact.
Written by: Miss Rosen