Negative Feedback — George Muncey is the film photographer behind the hugely successful Negative Feedback channel, where the 21-year-old gives his tips on how to shoot analogue film in the digital age.
Written by: Charlotte Irwin
Oliver Blohm on how post-Polaroid is relevant in 2016 — In 2008 Polaroid were on the verge of burying instant film when Impossible stepped in before the last nail went in the box. With no clear formula to follow, the Impossible Project has kept the spirit and nostalgia of Polaroid alive. Instant photographer Oliver Blohm tells us how the I-1 camera is putting the modern into the old.
Written by: Hanna Duggal
Analogue snaps of LA youth — The Berrics’ Hellchild video profile on Jacob Messex coincides with the twenty-year-old skate and youth culture documentarian’s solo show and Filmus zine release at Kingswell.
Written by: Alex King
Analogue rewind — National Audio Company were too stubborn to give up on tapes. Now they’re surfing a resurgence of the much-loved analogue format.
Written by: Alex King
Breaking out the toy box — Toy Tokyo tracks down the photographers who use toy analogue cameras, like the iconic Diana, Holga 120 and LOMO LC-A, on the streets of Tokyo to capture the Japanese megacity like never before.
Written by: Alex King
After Charlie — Photographer Elisa Routa shares her mournful analogue series as the first 'business as usual' issue of Charlie Hebdo hits newsstands today.
Written by: Alex King
My Life in Analogue — Ed Medrano’s photography captures the heart and soul of Los Angeles’ grassroots culture.
Written by: Megan White
Are we all just clicking and hoping? — The Kaleidoscope Eyes Collective’s double exposure blind collaborations turn the idea of photographic authorship on its head.
Written by: Souleyman Messalti
My Life in Analogue — Snow, skate and a surreal sense of humour inspire Theo Acworth to stay glued to his viewfinder.
Written by: HUCK HQ
Nottingham Skate on Film — The Future History is Tom Quigley's celluloid love letter to Nottingham's skate scene.
Written by: Alex King