Huck x Restless Development — Anyone promoting a “Me-First” worldview is missing the fact that the more you engage with the world, the better off you are.
Written by: HUCK HQ
America's frontlines — Magnum photographer Peter van Agtmael was just 24 when he headed off to cover conflict, opening his eyes to the world. Now he's turning his gaze on life in the USA's little-seen margins.
Written by: Cian Traynor
No kissing — In '(no kissing)', Dominic Myatt turns the ads in one of the kinkiest corners of the internet into saucy drawings.
Written by: Marta Bausells
Huck x Mercedes-Benz — Choreographer, sound designer and visual artist Darren Johnston has created an innovative performance inspired by the human body’s Circadian Rhythms
Written by: Advertorial
A divided nation — In 'Swing States,' Taylor Dorrell uses pictures of the streets of Ohio to document the tense calm before the vote and the unrest that has followed it.
Written by: Marta Bausells
Processing trauma — Rafal Gerszak had to witness war in order to document history, but it almost cost him his life. Out in the wild of Canada’s north, he found his way back from the brink.
Written by: Andrea Kurland
It always has been — While instability in Iraq continues fuelled by Western intervention, a new generation of young artists are creating work that looks to the future.
Written by: Noora Ismail
Happy Valentine's Day — In 2017, there are still many parts of the world where celebrating female lust is an act of revolt in itself. These international artists find inspiration in ancient Arab poems to render radical love.
Written by: Marta Bausells
Party in the Back — Photographer and skater Tino Razo documents and shreds abandoned backyard pools across Southern California in Party in the Back, embodying care-free and youthful expression without even trying.
Written by: Paden Vaughan
Moments in-betwwen — The West Bengal region of India faces increasingly frequent flooding as the Earth's temperatures rise. Award-winning photojournalist Elizabeth Dalziel discusses her work to document its human effects.
Written by: Elizabeth Dalziel