Luster and beyond — The New York-based novelist discusses her masterful debut, Luster, a book capturing the angst and self-discovery that defines the early-20s quagmire.
Written by: Katie Goh
Cool Britannia — Photographer Marc Vallée remembers shooting his friends at their dilapidated East London house during a golden age of British art institutions.
Written by: HUCK HQ
Complex identities — A new exhibition brings together the work of three artists navigating contemporary life in the US, raising pertinent questions about identity, place, migration and immigration.
Written by: Miss Rosen
Word on the street — Photographer Larry Racioppo remembers shooting Myrtle Avenue and Clinton Hill in 1979, providing a revealing glimpse into how the interwoven communities have changed since then.
Written by: Miss Rosen
Port in a storm — Photographer Janine Wiedel remembers visiting the UK's major ferry port in 1989, where she immersed herself in a world that often felt frozen in time.
Written by: Charlotte Rawlings
Broken system — Photographer Wil Sands was shot in the eye covering Black Lives Matter protests last year. He was at the Capitol to cover last week’s riot too – where the threat of violence from rioters was urgent and real, yet police reaction was radically and exasperatingly different.
Written by: Wil Sands
Maripol in conversation — Photographer Maripol reflects on NYC's vibrant downtown club scene, where she shot everyone from Debbie Harry, to Grace Jones, to Madonna and Sade.
Written by: Miss Rosen
Holding court — During the summer, London’s basketball courts were some of the first free public spaces to reopen post-lockdown. Scattered across the capital, each one is a unique, self-contained island – home to an impressive cast of regulars, for whom community is everything.
Written by: Alex King
Outsider on the inside — In 1959, photographer Bruce Davidson, then 25, embedded himself in a gang of New Yorkers to capture the essence of postwar inner-city youth culture.
Written by: Miss Rosen
Falling on blades — Photographer Mihai Barabancea captures life on the fringes of post-communist Bucharest, with unflinching images that interrogate social stereotypes.
Written by: Miss Rosen