Ingrained injustice — Filmmaker Alexander Naunau discusses his new documentary, Collective – a shocking investigation into big pharma and institutional injustice.
‘There’s no justice’ — Despite numerous lawsuits, deaths and disturbing health reports, the Michigan city’s tap water remains untreated. A new documentary tries to find out why.
Meet Cimafunk — With his infectious grooves and progressive message, Erik Iglesias Rodríguez is one of the biggest names in Cuban music. A new documentary from filmmaker James Partridge tracks his journey from underground sensation to bona fide star.
Form No Form — With physical spaces closed for business, Form No Form takes things online – broadcasting a rotating schedule of films created by artists of colour.
A chat with Mark Cousins — The director and critic has spent five years crafting an epic, 14-hour documentary, shining a light on cinema’s forgotten women from across the world. Here, he tells us why.
In partnership with Squarespace — Surviving the perils of being a freelancer is tough – now more than ever. In partnership with Squarespace, we're supporting independent artists to create original work that responds to these testing times. Here, filmmaker Somayeh Jafari shares how she delves into her Iranian background to discover the true meaning of home.
The life of Ema — South American director Pablo Larraín discusses his new film Ema: an anarchic, dance-fuelled redemption story.
The Assistant — Hailed by many as the first great Me Too movie, Kitty Green’s new feature tracks a young woman over the course of a single day in her job at a production company. To mark its release, the director tells Huck why she approached the story like she would a documentary.
This is Means TV — Means TV is the world’s first ‘post-capitalist, worker-owned streaming service’, providing subscribers with leftist documentaries, films and cartoons. But in an industry run by big business and billionaires, can it really survive?
Back to the ’50s — With social distancing measures enforced across the world, the film industry has taken a huge hit. But against the odds, a handful of independent drive-ins across the US have adapted to stay alive. Is this the start of a comeback?