Risk and resist — In his chilling documentary, Of Fathers And Sons, director Talal Derki paints an intimate portrait of life in a modern Jihadi family.
Going underground — Palestine Underground is a new, Boiler Room-produced film that examines the state’s flourishing nightlife culture.
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s Nicole Holofcener’s Land Of Steady Habits and empty family comedy, Father of the Year.
Scenes of a Sauvage nature — Sensitive, nuanced depictions of sex workers can be rare in cinema – especially when the subject happens to be a man. But with his debut feature Sauvage, director Camille Vidal-Naquet is looking to buck the trend.
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s Wickerman-esque horror Apostle and nonsensical teen comedy The Kissing Booth.
They’ll Love Me When I’m Dead — As the world gears up for The Other Side of the Wind – Orson Welles’ unfinished film, released after 40 years – a new documentary looks back on the decade leading up to his death, as he struggled to complete his magnum opus.
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s US comedy Private Life and a ‘repellent’ dramatisation of Norway’s 2011 terror attacks.
Looking forward — This year, Europe’s largest erotic festival rebranded itself as a feminist rebuttal to mainstream ‘hetero-basic’ industry norms. But, as porn faces its own #MeToo moment, how much work is left to do?
The dream house — Following its premiere at London Film Festival 2018, we speak to Scottish artist Rachel Maclean about Make Me Up, her darkly comic new satire that explores the pressures faced by women today.
Dive into darkness — Manuel Alberto Claro has been breathing life into the filmmaker’s twisted, nightmarish visions since 2011 – working on Nymphomaniac, Melancholia and the upcoming The House That Jack Built. Here, he shares what he's learned so far.