Form No Form — With physical spaces closed for business, Form No Form takes things online – broadcasting a rotating schedule of films created by artists of colour.
Written by: Jaelani Turner-Williams
This is Means TV — Means TV is the world’s first ‘post-capitalist, worker-owned streaming service’, providing subscribers with leftist documentaries, films and cartoons. But in an industry run by big business and billionaires, can it really survive?
Written by: Daisy Schofield
Class, community and capitalism — New Netflix series Cheer is filled with high stakes stunts and drama – but it can also teach us a lot about America’s class problem.
Written by: Ruby Lott-Lavigna
Middle class mediocrity — The show, which considers financial struggle, alienation and racism, was one of the few important documents of life in modern Britain. So why did Channel 4 cancel it?
Written by: Nathalie Olah
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix releases, in an attempt to figure out if anything is even worth our time anymore. This week, its confused cop remake Point Blank, and meandering polyamory drama You, Me, Her.
Written by: Megan Nolan
Good riddance Jeremy Kyle — Jeremy Kyle may finally be gone, but what it stands for – the hateful demonisation of working-class communities – remains stronger than ever. Dawn Foster explains why the show was always just a small part of a much larger toxic ecosystem.
Written by: Dawn Foster
We deserve better — Racism, bigotry, and a slowly shifting centre – writer Micha Frazer-Carroll explores how the British press became partisan without anyone noticing.
Written by: Micha Frazer-Carroll
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is worth our time anymore. This week, it’s prison rehab drama Outside In, and the strange-but-true Dirty John.
Written by: Megan Nolan
A pure cure — What if you couldn’t stop thinking about bestiality, child abuse and incest? Ahead of its premiere this week, we catch up with Kirstie Swain – the writer of new six-part comedy drama Pure – to discuss the untold truth about a life-changing illness.
Written by: Emily Reynolds
An oral history — A precursor to some of the country’s most-loved comedies, The Day Today revolutionised television satire. We speak to the show’s creators to find out how it came to be, and why it could never be made today.
Written by: Daniel Dylan Wray