TV
The cost of living crisis is not a game
By turning a real-life crisis into daytime television fodder, TV bosses have once again shown themselves to be completely out of touch with audiences.
Written by: Sarah Woolley
Derry Girls taught me the joy of feeling seen
As Lisa McGee’s beloved sitcom approaches its final episode, writer Seaneen Molloy reflects on how the show sought to give an honest portrayal of teenagehood during the Troubles in the ‘90s.
Written by: Seaneen Molloy
GB News: the rise of UK’s new rightwing media isn’t over yet
Fighting Foxification — The channel may be in crisis already, but its eerie similarity to the context in which its US-counterpart Fox News emerged suggests that the threats it poses should not yet be overlooked.
Written by: Naomi Smith
VCR visionary: The woman who taped 33 years of TV news
The Marion Stokes Project — Director Matt Wolf speaks to Huck about his documentary on the elusive Marion Stokes, a Communist radical who recorded 70,000 tapes worth of TV news as a form of activism.
Written by: Daisy Schofield
The anticapitalist streaming service taking on Netflix
This is Means TV — Means TV is the world’s first ‘post-capitalist, worker-owned streaming service’, providing subscribers with leftist documentaries, films and cartoons. But in an industry run by big business and billionaires, can it really survive?
Written by: Daisy Schofield
Inside the wild world of college cheerleading
Class, community and capitalism — New Netflix series Cheer is filled with high stakes stunts and drama – but it can also teach us a lot about America’s class problem.
Written by: Ruby Lott-Lavigna
Is Fleabag the best we can do?
Part of the problem — In framing Phoebe Waller-Bridge as a ‘scrappy British underdog’ and disregarding her immense privilege, we ignore a much larger issue in British society – the total dearth of working class voices in our creative industries.
Written by: Aimee Cliff
Top Boy exposes the problem with British broadcasting
Middle class mediocrity — The show, which considers financial struggle, alienation and racism, was one of the few important documents of life in modern Britain. So why did Channel 4 cancel it?
Written by: Nathalie Olah
What Netflix did next: corrupt cops & unsexy sex
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix releases, in an attempt to figure out if anything is even worth our time anymore. This week, its confused cop remake Point Blank, and meandering polyamory drama You, Me, Her.
Written by: Megan Nolan
The creators of Black Mirror want you to stop worrying
Future shock — As creators of the dystopian series Black Mirror, Charlie Brooker and Annabel Jones have mastered the art of depicting society at its most anxiety-inducing. But when it comes to the future, the pair aren’t ready to panic just yet.
Written by: Daniel Dylan Wray
What Netflix did next: Mötley Crüe and a lot of cocaine
Are you still watching? — Writer Megan Nolan bravely ventures into Netflix’s Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s ridiculous rock biopic The Dirt and drug odyssey doc The Legend Of Cocaine Island.
Written by: Megan Nolan
What Netflix did next: horrible, lying men & reformed ex-cons
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is worth our time anymore. This week, it’s prison rehab drama Outside In, and the strange-but-true Dirty John.
Written by: Megan Nolan