Hard Feelings — Fury from the latest generation of Gladiators joins our column on masculinity, speaking to Robert Kazandjian about her new book, her close relationship with her late father, and being a role model for both young boys and girls.
Bringing it home again — 12.2 million people tuned in to watch England women’s football team beat out Spain on the BBC, with a strong showing from young fans.
By turning a real-life crisis into daytime television fodder, TV bosses have once again shown themselves to be completely out of touch with audiences.
As Lisa McGee’s beloved sitcom approaches its final episode, writer Seaneen Molloy reflects on how the show sought to give an honest portrayal of teenagehood during the Troubles in the ‘90s.
Fighting Foxification — The channel may be in crisis already, but its eerie similarity to the context in which its US-counterpart Fox News emerged suggests that the threats it poses should not yet be overlooked.
The Marion Stokes Project — Director Matt Wolf speaks to Huck about his documentary on the elusive Marion Stokes, a Communist radical who recorded 70,000 tapes worth of TV news as a form of activism.
This is Means TV — Means TV is the world’s first ‘post-capitalist, worker-owned streaming service’, providing subscribers with leftist documentaries, films and cartoons. But in an industry run by big business and billionaires, can it really survive?
Class, community and capitalism — New Netflix series Cheer is filled with high stakes stunts and drama – but it can also teach us a lot about America’s class problem.
Part of the problem — In framing Phoebe Waller-Bridge as a ‘scrappy British underdog’ and disregarding her immense privilege, we ignore a much larger issue in British society – the total dearth of working class voices in our creative industries.
Middle class mediocrity — The show, which considers financial struggle, alienation and racism, was one of the few important documents of life in modern Britain. So why did Channel 4 cancel it?
Are you still watching? — Writer Megan Nolan bravely ventures into the latest Netflix releases, in an attempt to figure out if anything is even worth our time anymore. This week, its confused cop remake Point Blank, and meandering polyamory drama You, Me, Her.
Future shock — As creators of the dystopian series Black Mirror, Charlie Brooker and Annabel Jones have mastered the art of depicting society at its most anxiety-inducing. But when it comes to the future, the pair aren’t ready to panic just yet.