Throughout the decade, photographer Michael Jang made fake press passes to get access to gigs, conventions and Hollywood events.
In the new exhibition, Arlene Gottfried: After Dark, the artists takes us into the nightclubs, strip joints, dive bars, and drug dens of the ’70s.
Nouvelle Vague frontman Marc Collin makes his directorial debut with The Shock Of Future: a filmic homage to the power of electronic music.
In the 1970s, photographer Wynn Miller joined the Arizona Maravilla gang: a disenfranchised community stuck on the margins of society.
The Buzzcocks guitarist reflects on the group’s indelible legacy: ‘I joined a punk band and was sniffing speed. The world fucking changed’
Freshly uncovered after two decades in storage, Bruno Stettler’s photography showcases the biggest stars of the 1970s and ’80s.
Spanning the late ’70s and early ’80s, Ruby Ray’s photography captured the DIY misfits of music, art and literature.
In his new film, photographer turned writer-director Richard Billingham presents a tale of deprivation and loneliness in the West Midlands.
A brand for the ‘disenchanted, misunderstood and rebellious’, BOY has been clothing the capital’s subcultures for over four decades.
A compulsive collector since the 1970s, Julio Mario Santo Domingo has accrued nearly three house’s worth of literature, knick-knacks and paraphernalia.
Photographer Chris Killip reflects on what it takes to create images that truly record a place and time, as in his seminal work In Flagrante.
São Paulo ten-piece Bixiga 70 are putting a fresh, progressive spin on Brazil’s rich tapestry of African and European musical traditions.