From 1969 to 1972, the acid-fueled performance troupe – which included underground icons like Divine and Sylvester – took radical politics to a wider audience.
In his new project, Lost and Found, the legendary street photographer pays tribute to a city that was ‘rough, raw, violent and filthy’.
In the ’80s, photographer Richard Davis moved to Manchester, where he fell in with a community of artists, punks and travellers.
Throughout the decade, photographer Michael Jang made fake press passes to get access to gigs, conventions and Hollywood events.
In the new exhibition, Arlene Gottfried: After Dark, the artists takes us into the nightclubs, strip joints, dive bars, and drug dens of the ’70s.
Nouvelle Vague frontman Marc Collin makes his directorial debut with The Shock Of Future: a filmic homage to the power of electronic music.
In the 1970s, photographer Wynn Miller joined the Arizona Maravilla gang: a disenfranchised community stuck on the margins of society.
The Buzzcocks guitarist reflects on the group’s indelible legacy: ‘I joined a punk band and was sniffing speed. The world fucking changed’
Freshly uncovered after two decades in storage, Bruno Stettler’s photography showcases the biggest stars of the 1970s and ’80s.
Spanning the late ’70s and early ’80s, Ruby Ray’s photography captured the DIY misfits of music, art and literature.
In his new film, photographer turned writer-director Richard Billingham presents a tale of deprivation and loneliness in the West Midlands.
A brand for the ‘disenchanted, misunderstood and rebellious’, BOY has been clothing the capital’s subcultures for over four decades.