Published between 1978 and 1996, Staffrider introduced a sense of unity that was nationally outlawed. Here, the people who made it happen reflect on its significance.
As a child of the post-apartheid generation, photographer Sydelle Willow Smith has found that her relationship with home poses more questions than answers.
In his ongoing photography project, Hometown Blues, Duran Levinson fuses portraiture and street shots to capture the day-to-day oddities of his hometown.
The photographer’s black and white shots of life around the South African apartheid have been collated for new book, Structures of Dominion and Democracy.
Celebs, politics, murder... Johannesburg's Carlton Hotel has seen it all. But as two artists sneak into its abandoned halls, the emptiness speaks volumes.
The South African photographer places herself centre stage in Hail the Dark Lioness, drawing on experiences of homophobia and hate crimes that impact her own community.
Before his death in 2013, Pierre Crocquet captured thousands of scenes across Africa. In the series Enter Exit, he explores the remote, isolated community of Karatara, illustrating tales of hardship with a warmth and wicked humour.
