At the height of the Black Power movement, National Educational Television launched Black Journal, a groundbreaking show that allowed Black Americans to tell their own stories.
Michaela Coel’s show has been widely praised for its bold portrayals of race, sexual assault, homophobia and survival. So what makes it so groundbreaking?
With physical spaces closed for business, Form No Form takes things online – broadcasting a rotating schedule of films created by artists of colour.
Means TV is the world’s first ‘post-capitalist, worker-owned streaming service’, providing subscribers with leftist documentaries, films and cartoons.
New Netflix series Cheer is filled with high stakes stunts and drama – but it can also teach us a lot about America’s class problem.
The show was one of the few important documents of life in modern Britain. So why did Channel 4 cancel it?
Writer Megan Nolan bravely ventures into the latest Netflix releases, in an attempt to figure out if anything is even worth our time anymore.
Jeremy Kyle may finally be gone, but what it stands for – the hateful demonisation of working-class communities – remains stronger than ever.
Racism, bigotry, and a slowly shifting centre – writer Micha Frazer-Carroll explores how the British press became partisan without anyone noticing.
Writer Megan Nolan bravely ventures into the latest Netflix Original releases, in an attempt to figure out if anything is worth our time anymore.
Pure, a new six-part comedy from Channel Four, shares the untold truth about a life-changing illness.
We speak to the show’s creators to find out how the revolutionary comedy came to be, and why it could never be made today.