A heartwarming portrait of pre-gentrification Bushwick
- Text by Miss Rosen
- Photography by Meryl Meisler
When American photographer Meryl Meisler arrived in Bushwick, Brooklyn, for a job interview at I.S. 291 Roland Hayes in December 1981, she was shocked at the state of the neighbourhood.
“I got out of the subway and everything was boarded up or burned down. It looked like there was a war going on but this was a quiet time,” she recalls. “I thought to myself, ‘It’s a week before Christmas and there’s a job opening? Maybe the other art teacher was killed.’”
Meisler, who had previously been a hostess in Manhattan’s famous go-go bars, arrived at the junior high school on Palmetto Street. The school stood at the edge of an area that had been destroyed by a devastating fire that wiped out 23 buildings that occurred just one week after the infamous 1977 blackout unleashed a wave of arson and looting across the community.

Palmetto St., Bushwick, Brooklyn, NY, 1982
Four years later, Bushwick remained in dire straits, with 45 per cent of the population living below the poverty level. “I later found out it had one of the highest vacancy rates in the city – people were leaving,” says Meisler.
Upon arriving at I.S. 291, Meisler was enveloped in a sea of frenetic energy typical of middle schools and she met with the principal. “He was dressed in a three-piece suit – very refined, despite the sense of chaos in the air,” she remembers. Meisler took the job.
“I didn’t carry a camera at first because of the danger. While teaching on the Lower East Side, I was robbed in school – so I wasn’t going to be an idiot twice,” she says.

The School Yard Fence Face to Face, Palmetto St., Bushwick, May 1983
But her love of photography triumphed and Meisler began capturing everyday scenes in school and around the community. Forty years later, a selection of the images from Meisler’s first three books is now on view in Paradise Lost & Found: Bushwick, which has been installed on the chainlink fence outside I.S. 291.
“I’ve always wanted to show this work in Bushwick,” says Meisler, who teamed up with current Principal Janice E. Bruce to co-curate the exhibition. “Ms. Bruce is probably the same age as the kids in the photographs. She’s a success story – she went to Cornell University, came back, taught in other schools in the neighbourhood, then became the principal here.”

Beauty Salon, Bushwick, circa 1984
As an insider, Bruce’s experience gave her the necessary insight to co-curate the exhibition to ensure it would resonate for students and members of the community alike. After the exhibition went up, Meisler ran over in the morning to see it for herself. “A lot of people still lived on the block, went to the school, or to the church across the street are still in the neighbourhood. The current custodian at I.S. 291 recognised his niece and nephew in one of the pictures!”
Someone asked if I was the photographer because I was wearing a camera around my neck. I said, ‘Yes,’ and they told me, ‘This is so uplifting!’”

Bus Study, Bushwick, September 1983

Sneakers, I.S. 291, Bushwick, Brooklyn, 1984

Boom Box, Swing, and Laundry, Bushwick, Brooklyn, NY. March 1983

Bushwick, Brooklyn, NY circa 1984
Meryl Meisler: Paradise Lost & Found: Bushwick is on view at Photoville, Brooklyn, through December 2021. Signed copies of Meryl’s latest book New York PARADISE LOST Bushwick Era Disco are now available.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk
When David Wojnarowicz became Arthur Rimbaud
Arthur Rimbaud in New York — In 1978, the American artist and his friends donned masks to pay tribute to the French poet, who was born a century before him. Miss Rosen traces the differing yet parallel lives of the queer revolutionaries.
Written by: Miss Rosen
On the set of ‘La Bamba’, lost Latino legend Ritchie Valens’s biopic
The overnight rockstar — The Chicano rock & roll star exploded overnight in the late ’50s, but just as quickly he was gone, killed in a plane crash along with Buddy Holly. An ’80s biopic saw him immortalised on the big screen, which photographer Merrick Morton captured behind the scenes.
Written by: Miss Rosen
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland