The chef who left Michelin-star kitchens to make the world’s best bread
- Text by Mike Fordham
- Photography by Sarah Coghill
“Working in a Danish way is to me all about focussing on quality,” says Christoffer Hruskova. “It’s also about bringing some personality to what you are doing, and approaching things with an open mind and a sense of freedom.”
Chris is a Michelin Star chef and proprietor of The Bread Station. Located beneath a railway arch off London Fields in Hackney, this beautiful bakery couldn’t feel more London.
There are kids messing about on jacked Boris Bikes bored on their school holidays; there are whippet walkers with flat whites.
The soundtrack is the periodic rumble of the Overground interspersed grime from the window of a German whip. But because of the way the bakers here approach their work, this is a corner of a foreign field that is forever Denmark.
“I left Copenhagen in 1998 to travel the world as a chef, and my last stop was London. Nineteen years later, I’m still here,” says Chris. “The diversity and energy of London is incredible — but hopefully I can bring a measure of something different to what we do here. It’s all about simplicity.”
After a couple of decades working the machinations of the higher end of the catering trade, Chris wanted to bring the stripped-back straightforwardness of good baking to his adopted home. “It was all about getting back to just three natural ingredients,” he says.
There is a workmanlike irreverence to Chris’s personality that chimes perfectly with the attitude and aesthetic of his adopted home. “When I went to catering school I had this choice between becoming a butcher or a chef,” he says. “I chose to be a chef because the teacher was swearing, smoking cigarettes and we had no homework. I fell in love straight away!”
Though baking good bread is, compared to dealing with the complexities of fully resourced high-end restaurants, a relatively simple business, that doesn’t mean it isn’t hard work and long hours.
“I wanted to get back to baking and I adore what I do,” Chris tells me. “If you didn’t enjoy the process of making bread, it would be crazy to work 16 hours in a single day to do it.”
Chris and the team use biga to make their bread, which is a type of self-fermentation process using just rye and water, so there is no yeast involved.
The biga process refers to the type of baking that was done at the very beginning of culinary culture — and was practised as far back as the early classical period.
“It’s a very drawn out way of working. The dough takes nearly twenty hours to rise before it is baked,” he says. “It involves a lot of patience and faith in the process — but it is an amazing privilege to be able to make such a superb product out of flour, water and salt. I find it a joy every time I do it.”
London Fields is probably as close to Ground Zero of the clean eating, gluten-free diet obsession as it’s possible to be. Christoffer cuts through this noise with a typically Danish sense of purpose.
“People obviously come in a lot and ask for gluten-free bread,” he says. “But I’m not a big fan, to be honest. People think they have a problem with bread but I think they have a problem with bad bread.”
This refreshingly no-nonsense approach is typically Danish. And it’s one that Chris recognises in himself. “Danes can be a little reserved at first,” he says.
“But when you get to know them, they speak their minds. My simple motivation is to make a great product that I can be truly proud of. And I would like to share that pride with the people around me.”
Read more about eating #TheDanishWay
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
On the set of ‘La Bamba’, lost Latino legend Ritchie Valens’s biopic
The overnight rockstar — The Chicano rock & roll star exploded overnight in the late ’50s, but just as quickly he was gone, killed in a plane crash along with Buddy Holly. An ’80s biopic saw him immortalised on the big screen, which photographer Merrick Morton captured behind the scenes.
Written by: Miss Rosen
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
