When migrants photograph their own journeys in Europe
- Text by Biju Belinky
‘Police don’t respect to the asylum seekers! Guys asylum seekers not animals, asylum seekers are people!’ reads a postcard, written by one of the men who took part in Amy Lineham’s latest photo project, Disposable Perspectives.
Looking to challenge the mainstream portrayal of the migrant crisis and put some authorship back into the hands of asylum seekers, Amy gave disposable cameras to 15 men living in the Porte de la Chapelle camp, Paris. Out of the 15 cameras given, only 8 were returned after the five-day deadline – with quite a few of them being lost due to police violence.
Unfortunately, as will be obvious to anyone who has been paying attention, this isn’t surprising. As well having to deal with the unstable life they experience in the camps, aggression against the people who come to Europe in search of a safer life is rife, be it from the police, some less than welcoming locals, or the demonisation, especially of young men, perpetuated by right-wing press.
Instead of building a narrative around sadness and fear though, the photographs taken by these men and developed by Amy tell a different story, a human one with highs, lows and plenty of friendship.
“I met the guys because I was co-managing clothing distribution at the camp, so was always on the desk talking to people. I gave out the cameras right at the end of my time volunteering so I knew some of them quite well,” Amy explains via email.
“Others were new to the camp – I put a sign on the front of the distribution desk in English, Arabic, Farsi and Pashto, inviting people to ask about the project so a few joined that way. People were generally really excited and eager to take part, though we did have some rejections – one person said he would love to join but was worried about legalities over taking photos of strangers.”
Amy remembers how this bloke explained he’d just arrived in France and was nervous of doing anything to draw attention to himself, “that really highlighted to me how precarious day-to-day life for these people can be.”
Keeping the photographers anonymity for their own safety, Amy hopes the Disposable Perspectives exhibition, which features the images captured on the eight cameras, and postcards written by the participants, will dispel some of the myths about the migrant experience.
“I don’t feel it’s my place to speak on the experience of immigrants,” says Amy, “but what I wish people thought about was how each person under that banner is an individual living a 24/7 life in the same way as we all do. They have thoughts, feelings, interests, hobbies just like anyone else and their humanity should be recognised as equal.”
Disposable Perspectives is on show at The HIVE in Dalston until 9 June, from 2-6 PM.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
Confronting America’s history of violence against student protest
Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality.
Written by: Miss Rosen
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
Defiant photos of New York’s ’80s & ’90s queer activists
Arresting Images — Dona Ann McAdams’ photographs document the AIDS crisis, lesbian organising and civil disobedience from one of the most fraught eras in American LGBTQ+ history. A sale of her archive takes place later this month.
Written by: Sydney Lobe
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk