Portraits of the East’s monks, pilgrims & wanderers
- Text by HUCK HQ
- Photography by Steve McCurry
First published back in 2011, Steve McCurry’s Looking East is a breathtaking showcase of the photographer’s best portrait work. The images, which were shot during his extensive travels across Southeast Asia, focus on the region’s outsiders: from monks and children to pilgrims, wanderers and migrants.
Like much of McCurry’s work, the collection teeters between the edges of cutting-edge photojournalism and fine art – presenting people from all walks of life in a beautifully unified way, and breaking the boundaries between race, language and culture.
Now, the book is making a return, with Phaidon opting to publish it in paperback for the first time this week. “[Looking East is] regarded as one of the most iconic publications of contemporary documentary photography,” a spokesperson said of the reprint. “It’s a must-have for McCurry aficionados and readers eager to explore his dynamic, emotive and groundbreaking work.”
The re-release comes a few months after the publication of McCurry’s Afghanistan – a lavish documentation of the Magnum photographer’s four-decade love affair with the region. “[McCurry’s] work has not just recorded and documented the visual reality of its modern history, in many ways it has also defined the way the world has come to see the country,” historian William Dalrymple said at the time.

Pilgrim at a Stupa, Amdo, Tibet, 2001.

Monk, Kham, Tibet, 1999.

Young Woman at a Horse Festival, Tagong, Tibet, 1999.
Looking East: Portraits by Steve McCurry is available now from Phaidon.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
On the set of ‘La Bamba’, lost Latino legend Ritchie Valens’s biopic
The overnight rockstar — The Chicano rock & roll star exploded overnight in the late ’50s, but just as quickly he was gone, killed in a plane crash along with Buddy Holly. An ’80s biopic saw him immortalised on the big screen, which photographer Merrick Morton captured behind the scenes.
Written by: Miss Rosen
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke