Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Tired of modern life? Welcome to the off-grid revolt

Going green — In the UK, more and more people are making the jump to a self-sufficient existence. Photographer Robin Mellor visits communities across the country to find out why.

Photographer Robin Mellor first become interested in off-grid living while shooting in the States.

During a project that saw him documenting America’s various desert communities (including California skate mecca Slab City), he was struck by the philosophies that seemed to knit them all together: freedom, self-sufficiency, a desire to reject the conventional.   

When he returned home to London, he began to research the UK’s equivalents. With rising house prices and a slight relaxation in laws when it came to building homes on green belt land, Mellor found that more and more people were pivoting to an existence off-the-grid.

“Everyone has their own reasons for the choices they make,” he explains. “But I think if I was to try to sum up people’s decision to go off-grid, it would be a mixture of being able to live in a beautiful place that wouldn’t otherwise be financially an option for them, and – more than that – the shared values and community spirit that these places hold.”  

“They are like real communities used to be – everyone knows each other, everyone helps each other out, kids are in and out each other’s houses as if they were their own. It’s much more of a family, or tribal feeling.”

Over the course of the next two years, Mellor visited four of Britain’s off-grid communities, photographing people in and around their self-made homes as they went about pursuing a sustainable way of life. The series – titled A Very British Utopia – demonstrates a coexistence with the natural environment, particularly in the face of a global political climate increasingly at odds with it.

Equally prominent is the thinking behind the decision to live sustainably. Mellor pairs photos with excerpts from interviews – “It’s against the law to be poor in this country”, “The first house I made cost 50 pence to build” – he conducted with residents, exploring their relationship with both their immediate setting and the world around them. 

“These people are truly focused on the impact they have on both their immediate and wider environment. It makes your impact much easier to see when it has a direct effect on your surroundings – when you’re not able to throw away bags of rubbish without thought, and almost everything you eat has only travelled as far as you’ve walked to get it.”

“I think these communities are only in their infancy. Some may look crude, but I think their spirit will carry on far into the future and be adopted by many many people. I think the future may lie somewhere between where they are now and where the rest of society currently finds itself.”

See more of Robin Mellor’s work on his official website

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Huck 83: Life Is A Journey Issue

Joe Bloom’s View From a Bridge

More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.

Written by: Isaac Muk

Culture

When David Wojnarowicz became Arthur Rimbaud

Arthur Rimbaud in New York — In 1978, the American artist and his friends donned masks to pay tribute to the French poet, who was born a century before him. Miss Rosen traces the differing yet parallel lives of the queer revolutionaries.

Written by: Miss Rosen

Culture

On the set of ‘La Bamba’, lost Latino legend Ritchie Valens’s biopic

The overnight rockstar — The Chicano rock & roll star exploded overnight in the late ’50s, but just as quickly he was gone, killed in a plane crash along with Buddy Holly. An ’80s biopic saw him immortalised on the big screen, which photographer Merrick Morton captured behind the scenes. 

Written by: Miss Rosen

Culture

Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are

No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?

Written by: Emma Garland

© Kwame Brathwaite
Culture

In the 1960s, African photographers recaptured their own image

Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.

Written by: Miss Rosen

Culture

Reynaldo Rivera’s intimate portrait of queer Latino love

Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.

Written by: Miss Rosen

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.