50 years on: the enduring legacy of Young Lords Party
- Text by Miss Rosen
- Photography by Nathan Cummings Foundation / El Museo in New York

The Young Lords, New York celebrated their 50th anniversary on July 26 this year – just two days after massive peaceful protests that lead to the resignation of Puerto Rican governor Ricardo Rosselló. It was a powerful testament to the courage and strength of community-based activism in the on-going fight for health, housing, education, and food – the tenets of basic human rights.
“Those four issues are still prominent issues that people in Puerto Rico are thinking about after Hurricane Maria,” says Yasmin Ramirez, curator of Pasado y Presente: Art After the YLP 1969-2019. “They are questioning how can we become self-sustainable in this time of climate change.”
Originally formed in Chicago in 1960, the Young Lords were a turf gang that fought to empower Puerto Rican, Latinx and other colonised communities in the US. The New York faction opened in 1969.
“Young people today are inspired by the example of the Young Lords, whose average age was 15–24,” says Ramirez, when asked about their enduring appeal. “They are still fighting for the same issues on the island and in the US. It’s very sad for us, but at the same time we are so grateful that many of the Lords are still with us and have been at the forefront of drawing attention to the problems in Puerto Rico.”

Young Lords member with Pa’lante Newspaper, 1970 © Hiram Maristany

Pasado y Presente
Understanding the importance of bridging generations, Ramirez organised Pasado y Presente as the second iteration of ¡Presente! The Young Lords in New York, the landmark exhibition she co-curated with Johanna Fernández in 2015. “All the artists in the exhibition are also activists,” Ramirez says. “We wanted to bring some of the voices involved in fighting the debt crisis and Hurricane Maria that were not present in 2015.”
Among the participating artist-activists is Shailene Rodriguez, leader of Decolonize Now, who led the charge against Warren B. Kanders, vice-chair of the Whitney Museum and owner of Safariland, which produces tear-gas canisters and other supplies used by military and law enforcement. “It just so happened that the stars were aligned: Kanders resigned on July 24 as well,” Ramirez says.
These actions cannot be chalked up to mere coincidence, but to the ongoing efforts of social practice artists, activists, and community organisers whose work follows the principles of the Young Lords.
“Our interest doesn’t stop when you walk out of the exhibition – in fact, that’s where it should begin,” Ramirez says, noting that Pasado y Presente is organised in conjunction with a series of community-based events. “Come to our programs and meet the Lords and activists. We are doing this to bring together two generations of activists in conversation.”

Young Man with Roses, 1971 © Hiram Maristany

March to free the Panther 21, 1969 © Hiram Maristany
It’s a conversation that continues on the streets of Spanish Harlem with Mapping Resistance: The Young Lords in El Barrio, a public art project organised by artist Miguel Luciano. The show features the photography of Hiram Maristany, official photographer of the Young Lords and founding member of the New York chapter.
Martistany’s iconic photographs were originally published in Pa’lante, the Young Lords newspaper, which was an integral part of the movement. “They had a vehicle of distribution where they controlled their self-image and gave us our first pictures of Puerto Rican leadership for independence,” Ramirez says.
Both exhibitions are important reminders of the power of creating a visual language through dress, demonstrations, art, and media to inspire, uplift, and unite the community in the on-going fight against Western hegemony.

Children art Play, 1956 © Hiram Maristany

Pasado y Presente

The Garbage Offensive, 1969 © Hiram Maristany

Pasado y Presente

The Bronx March, 1969 © Hiram Maristany

Pasado y Presente
Pasado y Presente: Art After the YLP 1969-2019 is on view at the Nathan Cummings Foundation in New York until October 25, 2019.
Mapping Resistance: The Young Lords in El Barrio is on view at El Museo in New York until September 30, 2019.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern
Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.
Written by: Ella Glossop

In Medellín’s alleys and side streets, football’s founding spirit shines
Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.
Written by: Isaac Muk

Meet the Kumeyaay, the indigenous peoples split by the US-Mexico border wall
A growing divide — In northwestern Mexico and parts of Arizona and California, the communities have faced isolation and economic struggles as physical barriers have risen in their ancestral lands. Now, elders are fighting to preserve their language and culture.
Written by: Alicia Fàbregas

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers
Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.
Written by: Miss Rosen

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos
Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.
Written by: Emma Garland

We are all Mia Khalifa
How humour, therapy and community help Huck's latest cover star control her narrative.
Written by: Alya Mooro