Bristol Photo Festival returns for second edition

After the success of it’s inaugural run, the festival returns this autumn with exhibitions, education and community programmes exploring a world in constant motion through still image.

Found­ed in 2020, Bris­tol Pho­to Fes­ti­val aims to cel­e­brate the pow­er of diver­si­ty of con­tem­po­rary pho­tog­ra­phy”. The fes­ti­val, the board of which includes Marine Merindol, Chief Oper­at­ing Offi­cer for Mag­num Pho­tos and Mag­num Pho­tog­ra­ph­er Mar­tin Parr, launched to con­sol­i­date Bristol’s emerg­ing rep­u­ta­tion as a lead­ing city for pho­tog­ra­phy beyond Lon­don.’

The festival’s inau­gur­al edi­tion took place in the mid­dle of the Covid-19 pan­dem­ic in 2021, lead­ing to an extend­ed 9‑month oper­a­tion peri­od, deliv­er­ing exhi­bi­tions and engage­ment pro­grammes cen­tred on the theme A Sense of Place’ at venues across the city, which is the largest in England’s south west region. Almost 200,000 vis­i­tors, a quar­ter of which trav­elled from beyond the city, vis­it­ed the fes­ti­val with over 1,000 peo­ple tak­ing part in pub­lic pro­gramme events includ­ing talks, work­shops and sym­posia.

New com­mis­sions for the fes­ti­val includ­ed work from Lebo­hang Kganye who’s com­mis­sion for the Geor­gian House Muse­um went on to be shown at the Venice Bien­nale 2022.

Three years on and the fes­ti­val is back for its sec­ond edi­tion. Open­ing in autumn 2024 the fes­ti­val pro­gramme will focus on a world in con­stant motion, cen­tred on the theme The World A Wave’. The exhi­bi­tions, edu­ca­tion and engage­ment pro­grammes will look glob­al­ly, whilst retain­ing a local lens- reach­ing out to under­rep­re­sent­ed com­mu­ni­ties and people.

Top to bottom: Sebastian Bruno in collaboration with Salvation Army Two Mile Hill; Ritual Inhabitual from the series Oro Verde Ritual Inhabitual; Trent Parke from the series Monument.

Ale­jan­dro Acin, Bris­tol Pho­to Fes­ti­val direc­tor told Huck, Pho­tog­ra­phy is a unique cre­ative medi­um to expe­ri­ence the world anew. In a time of mul­ti­ple crises, we need to think of images more than ever. I want the fes­ti­val to be a space full of nuanced and unex­pect­ed sto­ries that fos­ter greater under­stand­ing of our shared world. Bris­tol Pho­to Festival’s qual­i­ty and ambi­tion is pos­si­ble thanks to the great col­lab­o­ra­tion we have estab­lished with the main cul­tur­al insti­tu­tions in the city and the sup­port of fun­ders and sponsors.”

The 2024 edi­tion will include work from pho­tog­ra­phers across the globe includ­ing Ariel­la Azoulay from Israel. In 2009, Azoulay vis­it­ed the Inter­na­tion­al Com­mit­tee of the Red Cross head­quar­ters in Gene­va, Switzer­land to view archival pho­tographs of Pales­tine tak­en between 1947 and 1950. The images doc­u­ment the forced dis­place­ment of the Pales­tin­ian pop­u­la­tion — an event com­mon­ly known as the Nak­ba’. Azoulay was instruct­ed that the archival images could not be repro­duced or exhib­it­ed unless strict con­di­tions were met, lim­it­ing the free inter­pre­ta­tion of the mate­r­i­al and ulti­mate­ly of his­to­ry itself. In response, Azoulay decid­ed to redraw the pho­tographs, cre­at­ing a record that exists beyond the con­trol of offi­cial nar­ra­tives and archives.

Children on board a bus taking civilian internees to Kfar Yona on the day of repatriation 1949, Ariella Azoulay

Else­where a month-long exhi­bi­tion at the city’s M Shed muse­um called Dream­lines: Pic­tur­ing Bristol’s High Streets’. In 2023, Bris­tol Pho­to Fes­ti­val invit­ed a group of pho­tog­ra­phers, all with strong ties to the city, to devel­op new projects across Bristol’s his­toric high streets and neigh­bour­hoods. They col­lab­o­rat­ed with groups both young and old, includ­ing a local church brass band; a stitch­ing group; a men’s social club; a food bank; and an elders act­ing club.

Exhi­bi­tions will be held in the city’s major visu­al arts insti­tu­tions along­side inde­pen­dent and uncon­ven­tion­al spaces, all accom­pa­nied by a wide events pro­gramme engag­ing with mul­ti­ple aspects of the city of Bris­tol. All exhi­bi­tions are free with dona­tions welcome.

For this year the Fes­ti­val is devel­op­ing a project with local res­i­dents and port work­ers from Avon­mouth to cre­ate a com­mu­ni­ty archive, along­side a pro­gramme of cre­ative activ­i­ties, includ­ing talks, walks, screen­ings and an exhi­bi­tion. With Prison Edu­ca­tion, the fes­ti­val will present The Prison Mobile Library, an edu­ca­tion­al pho­tog­ra­phy project across three sites in the South West of Eng­land. The open­ing week of the fes­ti­val (1620 Octo­ber 2024) will include artists’ talks, a book fair, tours, and parties.

Akosua Viktoria Adu Sanyah from the series The Ultimate Love For Technologies Of Loathing
Amak Mahmoodian from the series One Hundred Twenty Minutes
Herbert Shergolds collection Vintage Photographs
Inuuteq Storch from the series Porcelain Souls
Jay Lau Composition 1 2024 Image courtesy of the artist and WMA
Kirsty Mackay from the series The Magic Money Tree
Lau Wai Im just Wan Chai girl 2018
Nigel Poor from the series The San Quentin Project
Rinko Kawauchi from the series Illuminance

Bris­tol Pho­to Fes­ti­val open­ing week is 16th — 20th Octo­ber

Enjoyed this arti­cle? Fol­low Huck on Insta­gram.

Sup­port sto­ries like this by becom­ing a mem­ber of Club Huck.

You might like

Rustic footbridge across a river, with people crossing it on a sunny day. Warm tones and shadows suggest an outdoor, natural setting.
Sport

In Medellín’s alleys and side streets, football’s founding spirit shines

Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.

Written by: Isaac Muk

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.
Culture

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Written by: Miss Rosen

Black and white image of several people in suits, some with long hair and unconventional appearances, alongside a large ship or boat model. Text overlaid: "FREAKS AND FINANCES".
Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

Vibrant book covers against bleak, rocky hills and buildings; 'Babylon' and 'Albion' text in bold lettering.
Culture

Dalia Al-Dujaili: “When you’re placeless, nature can fill the void”

Babylon, Albion — As her new book publishes, the British-Iraqi author speaks about connecting with the land as a second-generation migrant, plants as symbols of resistance, and being proud of her parents.

Written by: Zahra Onsori

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.