A brutal portrait of gang culture in El Salvador

A brutal portrait of gang culture in El Salvador
Sin Salida — In a new series of photographs, Tariq Zaidi captures the control gangs have over the wider Salvadoran society and the grief caused by the staggering levels of violence.

El Salvador has the highest murder rate in the world – a grim record predominantly down to its two warring gangs, Mara Salvatrucha (MS-13) and 18th Street (Barrio 18). 

Almost 10 per cent of El Salvador’s 6.4 million population is estimated to be a member of either gang – through choice, coercion or intimidation. Male applicants for MS-13 must withstand 13 seconds of beating from those already initiated – and murder a rival gang member. 

In his new photography collection, Sin Salida (No Way Out) (Gost Books), photographer Tariq Zaidi travelled to the dangerous streets and prisons of El Salvador, to understand how violence and terror at a frightening scale impacts the communities who live there.

Inmates look out of a cell

It was a challenge for Zaidi to even gain access to the country. After assembling a team of local experts, journalists and fixers, it took months of writing to the government before he was allowed entry. Upon arrival, he quickly discovered a complex maze of gang-controlled territories, marked with graffiti, where even local politicians must pay to enter. 

These strict borders are enforced by brutal means. Zaidi described a group of schoolboys who ran between these forbidden boundaries – presumably as entertainment. Eventually, they were attacked and one of the boys was kidnapped. His body was discovered in a ditch days later, decapitated. 

A man prepares coffins at his workshop

Mutilations are a common method of attack: bodies are hacked up with machetes and scattered, making it difficult for the authorities to identify them, or to track missing people. Disappearances are also common. Zaidi shared a particularly grisly example, where his photos were used to identify a body.

After photographing a decomposing corpse in a dam he was shown by a fixer, Zaidi was approached by a woman searching for her missing son. “She told me that she had pictures of [her son] from the night he vanished,” he says. “We put her cell phone pictures and my camera pictures side by side and you could see it was the same shirt material,” Zaidi explains. “As soon as she saw the pictures together, she screamed in pain.”

Inmates display their fashion creations

Inmates perform gymnastics

Zaidi discovered that death at a rate rarely seen outside of war zones has a profound effect on the national psyche. He describes a “complete breakdown in trust and safety”, adding that communities in El Salvador are “gripped by pervasive fear, violence and intimidation in a manner that’s rarely seen”. 

The photographer also travelled to El Salvador’s overcrowded prisons. Jail was the only place he could speak to gang members directly. “The only way to meet them ‘safely’ is in prison,” he explains. “Because of the way gangs work, it is impossible to contact them outside.”

Incarcerated gang members are subject to strict rules, often allowed no visitors, phones and are confined to crowded communal cells. These cells are a hotbed of disease, according to Zaidi. “Extreme heat, unsanitary conditions and tuberculosis claimed the lives of many inmates – even before coronavirus,” he explains. 

The burial of a young alleged gang member, age 22

Despite their imprisonment, incarcerated gang members exert a powerful influence. The former Minister of Justice and Security, Rogelio Rivas, estimates that incarcerated gang leaders order “80 per cent of all the attacks in the country”.

“A culture of fear pervades gang neighbourhoods: anyone – from the shopkeeper to the waiter – could be an informant,” reflects Zaidi. “Even funerals are held quickly, to avoid being sites of further violence. This culture of fear paralyses Salvadoran society.”

The wake of a 37-year-old man who was killed in a motorcycle drive-by shooting

A policeman during patrol

A tactical patrol checks a passerby

View of San Salvador

A bystander looks on

Sin Salida is available now from Gost Books. See more of Tariq’s work on Instagram, Facebook and his website.

Follow Joseph Marczynski on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Music

As Tbilisi’s famed nightclubs reawaken, a murky future awaits

Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.

Written by: Victor Swezey

Los Angeles is burning: Rick Castro on fleeing his home once again
Culture

Los Angeles is burning: Rick Castro on fleeing his home once again

Braver New World — In 2020, the photographer fled the Bobcat Fire in San Bernardino to his East Hollywood home, sparking the inspiration for an unsettling photo series. Now, while preparing for its exhibition, he has had to leave once again, returning to the mountains.

Written by: Miss Rosen

Ghais Guevara: “Rap is a pinnacle of our culture”
Music

Ghais Guevara: “Rap is a pinnacle of our culture”

What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.

Written by: Ghais Guevara

Gaza Biennale comes to London in ICA protest
Activism

Gaza Biennale comes to London in ICA protest

Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.

Written by: Cyna Mirzai

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

ATMs & lion dens: What happens to Christmas trees after the holiday season?
Culture

ATMs & lion dens: What happens to Christmas trees after the holiday season?

O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now