The human cost — As America enters its third wave of the opioid epidemic, a new exhibition brings together the work of four photographers to grapple with the ongoing questions surrounding the crisis.

Over the past two decades, nearly 841,000 Americans have died from a drug overdose, with a startling 10 per cent of that figure occurring in the past year alone. Driven primarily by the opioid crisis, the country is now in its third wave of the epidemic as the market for illicitly manufactured drugs like fentanyl has spiked.

With addiction devastating the lives of millions of individuals and tearing apart countless families, America’s misbegotten war on drugs has reached its logical end: abject failure. After decades of ill-conceived strategies ranging from Nancy Reagan’s insipid “Just Say No” campaign to the draconian Rockefeller Drug Laws, which targeted Black and Latino communities, the nation is finally starting to recognise drug abuse as a public health crisis.  

In the new exhibition The Human Cost: America’s Drug Plague, photographers Mark E. Trent, Jeffrey Stockbridge, and James Nachtwey with Paul Moakley, Editor at large for special projects at TIME, explore the ongoing questions surrounding the opioid crisis. 

Allie and Regina catching snowflakes after a close friend’s funeral. © Mark E. Trent

Allie crying, facing jail time and missing Barbie who died of an overdose, after a long night of using. © Mark E. Trent

In their project The Opioid Diaries, Nachtwey and Moakley journeyed through America in 2017 to gather stories from users, families, and first responders to amplify their voices and concerns, while Stockbridge spent a decade in Philadelphia creating large-format photographs, audio interviews, video and journal entries to look at the impact of the crisis on a working-class community for “Kensington Blues”.

Elsewhere, in Despair, Love and Loss, Mark E. Trent travelled across Appalachia in his native West Virginia, connecting with small-time dealers, addicts, and local law enforcement to present a broad scope of the issues at play. “I see a lot of great artists making media about my home region through their own lens,” Trent says. “I am not sure any of us get it completely right. It is complicated.”

Having travelled the world, Trent recognises universal struggles and themes, which he brings to his work, humanising a profoundly dehumanising plague. Growing up, he remembers those struggling with addiction being written off while overdoses went unspoken due to the shame of drug use.

Holly, detoxing in the Montgomery County Jail in Dayton, Ohio, on July 3, 2017. Photograph by James Nachtwey for TIME

Nichole, 2011. © Jeffrey Stockbridge

“When I was a teenager running around, I would be offered a pain killer or random pill when out partying,” Trent says. “We didn’t know how addictive some of these pills were. We trusted what we were told by our doctors and when we finally realised what was happening, it was just too late.”

Inspired by Eugene Richards’ seminal 1994 monograph, Cocaine True Cocaine Blue, Trent understood he needed to forge personal relationships with his subjects in order to understand the complexities of addiction without moralising judgment.

“When I was growing up, it was normal to see my friends snorting a pill but when I came home, they were shooting them and freebasing. I wanted to document the in-between moments, the boredom, the quirkiness that I have always loved about West Virginia,” he says.

“Most of all, I just wanted to show an unfiltered view of what this looked like,” Trent says. “Some small communities have lost entire generations. Some communities have been decimated and may not recover fully in our lifetime.”

Allie after being arrested for giving a friend pseudoephedrine. © Mark E. Trent

Mary, 2009. © Jeffrey Stockbridge

Pat and Rachel, 2012. © Jeffrey Stockbridge

The Human Cost: America’s Drug Plague is on view at the Bronx Documentary Center from June 5 to July 5, 2021.

Follow Miss Rosen on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter

 

Latest on Huck

Save the date for Rishi’s Leaving Drinks
Election 2024

Save the date for Rishi’s Leaving Drinks

Huck is teaming up with our friends at Dalston Superstore and Queer House Party to bring you an election night viewing party like no other.

Written by: Ben Smoke

Activists claim victory after major UK festivals drop Barclays as a sponsor
Activism

Activists claim victory after major UK festivals drop Barclays as a sponsor

Groups and artists have been campaigning for Live Nation to drop the bank as a sponsor for Download, Latitude and Isle of Wight over alleged ties to the arms trade.

Written by: Ben Smoke

Exploring the football fanatic culture of the Middle East
Outdoors

Exploring the football fanatic culture of the Middle East

New photo book ‘Football كرة القدم’ draws together pictures from over a dozen photographers to explore the region’s vibrant football culture.

Written by: Isaac Muk

Drag artists unite to get out the vote, babes
Election 2024

Drag artists unite to get out the vote, babes

East London legend Crystal talks to Huck about her new campaign, Vote, Babes! which brings together over 20 drag artists to encourage young people to use their vote.

Written by: Ben Smoke

I interrupted Keir Starmer’s manifesto launch – here’s why
Election 2024

I interrupted Keir Starmer’s manifesto launch – here’s why

One of Starmer’s constituents, Alice tried every way to talk to her then MP about the crisis facing her generation, but he did not listen she writes exclusively for Huck.

Written by: Alice, Green New Deal Rising

Bashy: “My dad kept me alive”
Culture

Bashy: “My dad kept me alive”

In our latest Daddy Issues column, award winning actor and MC Ashley “Bashy” Thomas talks traditional masculinity, learning survival skills from his Dad and ‘making it’.

Written by: Robert Kazandjian

Sign up to our newsletter

Issue 80: The Ziwe issue

Buy it now